This volume intends to foster a re-interpretation of the Nasrid architecture of the Alhambra in Granada and its post-Islamic appropriation and global diffusion. Taking into account the current debates on otherness, cultural exchange and artistic transfer, hybridization, stylistic renewal and national identity building, this collection of essays explores the significance of the Alhambra from the Nasrid period to the present time. Built as a military fortress and gradually enlarged to a multi-functional palace city, by the 19th century the Alhambra became a symbol of exoticism and reverie. As one of the most important legacies of the Islamic heritage of al-Andalus, its role as a mediator between East and West is more important than ever.
págs. 23-36
Slivers of Light: Stained Glass in Al- Andalus
págs. 37-48
págs. 49-69
El Palacio de los Leones de la Alhambra: espacio de virtud del príncipe
págs. 71-82
págs. 83-96
The Ottomans and the Alhambra: Inspiration or Ignorance?
págs. 97-111
págs. 113-124
págs. 125-138
Gottfried Semper’s Dresden Synagogue Revised: An Echoof the Alhambra?
págs. 139-152
págs. 153-163
págs. 165-178
págs. 179-194
La inserción del pasado islámico en la identidad nacional española a través de la arquitectura revival: el caso del Palacio de Laredo
págs. 195-210
págs. 211-224
págs. 225-244
págs. 245-257
La Alhambra y el orientalismo islámico: la visión de artistas y viajeros románticos
págs. 259-278
págs. 279-292
Building a Dream: the Alhambra in the Villa of Sammezzano
págs. 293-309
págs. 311-318
págs. 319-326
Building “Moorish Wonders”: Alhambrism in Tsarist Russia
págs. 327-339
págs. 341-354
Palacio de la Alhambra: un orientalismo chileno del siglo XIX
págs. 355-370
págs. 371-384
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