Información General

• Autores: John Byrne (coord.), Elinor Morgan (coord.), November Paynter (coord.), Aida Sánchez de Serdio Martín (coord.), Adela Železnik (coord.)
• Editores: Valiz
• Año de publicación: 2018
• País: Países Bajos
• Idioma: inglés
• ISBN: 978-94-92095-42-8
• Texto completo no disponible (Saber más ...)

Resumen

• This book offers a diverse, rigorous, and experimental analysis of what is commonly known as education, mediation, or interpretation within museum institutions. It takes the visitor not as a passive receiver of predefined content, but as a member of a constituent body, one who facilitates, provokes, and inspires. The publication situates these practices within the socio-political context and the physical and organisational structure, and attempts to understand this change in an integral, interdisciplinary manner. It addresses such issues as ownership and power dynamics, collective pedagogy, co-curation, crowdsourcing, digital cultivation, activating archives, and more.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction

    • The Constituent Museum

      John Byrne

      págs. 10-13

      

    • The Rainbow Wrasse

      Francis McKee

      págs. 14-23

      

  • Part 1. Becoming Constituent

    • Becoming Constituent. Introduction

      John Byrne

      págs. 26-29

      

    • The Rest is missing: On Constituencies as a Matricial Notion for New Institutions of the Commons

      Raúl Sánchez Cedillo

      págs. 30-43

      

    • Negotiating Institutions

      Janna Graham

      págs. 44-49

      

    • Middlesbrough's New Communities

      Elinor Morgan

      págs. 50-55

      

    • New Communities of Migrants

      Adela Železnik

      págs. 56-59

      

    • Untimely Notes on 'The New Abduction of Europe'

      Francesco Salvini, Raúl Sánchez Cedillo

      págs. 60-72

      

  • Part 2. Architectures of Use

    • Architectures of Use. Introduction

      John Byrne

      págs. 76-79

      

    • Architectures of Encounter. Attention and Care: Towards Responsible Worlding Action

      Alberto Altés Arlandis

      págs. 80-91

      

    • Negotiating Jeopardy: Towards a Constituent Architecture of Use

      John Byrne

      págs. 92-113

      

    • Tensta Museum L' Internationale

      Maria Lind

      págs. 114-121

      

    • The Uses of Art Lab @ Liberpool John Moores University

      John Byrne

      págs. 122-125

      

    • Honest Shop

      Alistair Hudson

      págs. 126-129

      

    • Seed Journey

      Amy Franceschini

      págs. 130-137

      

    • Museum Solidary Lobby

      Azra Aksamija

      págs. 138-152

      

  • Part 3. Pedagogies of Encounter

    • Pedagogies of Encounter. Introduction

      Aida Sánchez de Serdio Martín

      págs. 154-157

      

    • 'Give her the Tools. She will know what to do with them!

      Nora Sternfeld

      págs. 158-165

      

    • A constituent Education

      Yaiza Hernández Velázquez

      págs. 166-169

      

    • Another Road Map School for Arts Education

      Alejandro Cevallos Narváez, Nora Landkammer

      págs. 170-173

      

    • Possibilities for Emancipation

      Bojana Piskur

      págs. 174-177

      

    • 'Really Useful Knowledge'

      Manuel J. Borja-Villel

      págs. 178-181

      

    • 'Really Useful knowledge' and Institutional Learning

      Jesús Carrillo Castillo

      págs. 182-196

      

    • Between Acts: Influence, Negotiate, Encounter, Instigate, Narrate: Re-writing the Relations Between Art and Situated Knowledge Found in Times of Crisis

      Virginia Villaplana Ruiz, Montse Romaní, Diego del Pozo Barriuso

      págs. 196-201

      

    • Towards a Coordination Ethic

      Sara Buraya Boned, Paula Moliner, Manuela Pedrón Nicolau

      págs. 202-205

      

    • Close the folding screen Before Lenin Escapes: Somateca and the Closet

      Bárbara G. F. Muriel, Sara Buraya Boned, Loreto Ares, Diana Vázquez

      págs. 206-211

      

    • A Greek Choir Tearing the Canvas of Public Healthcare

      Carmen Esbri

      págs. 212-217

      

  • Part 4. Distributing Ownership

    • Distributing Ownership. Introduction

      Elinor Morgan

      págs. 220-233

      

    • Democratic Institutions Versus Culture Wars

      Jesús Carrillo Castillo

      págs. 234-241

      

    • Preserving Precariousness. Queering Debt

      Isabell Lorey

      págs. 242-249

      

    • Notes on Friendship

      Céline Condorelli

      págs. 250-255

      

    • Solidarity

      Igor Španjol

      págs. 256-259

      

    • Antagonism

      Francesco Salvini

      págs. 260-273

      

    • 'Vsak Clovek Je kustos! / Jeder Mensch ist Ein Kurator!: Moderna galerija, Ljubljana, 16 June-30 September 2007

      Tjasa Pogacar Podgornik

      págs. 274-277

      

    • Lodgers at MHka

      Nav Haq, Alan Quireyns

      págs. 278-281

      

    • A Model for A Constituent Museum MOCA Toronto Canada

      November Paynter

      págs. 282-285

      

    • New Linthorpe

      Elinor Morgan

      págs. 286-289

      

  • Part 5. Archiving and Collecting Relationships

    • Archiving and Collecting Relationships. Introduction

      Aida Sánchez de Serdio Martín

      págs. 292-295

      

    • Revisiting and Reconstituting Networks from Japan to Beirut to Chile

      Kristine Khouri, Rasha Salti

      págs. 296-315

      

    • Archives in Use: A Laboratory of Political Imagination for the Present

      RedCSur

      págs. 316-321

      

    • Relations of the Undercommons: About the Work of Making, Unmaking and Remaking Organizations, John Hill talks to Tiziana Terranova

      Sean Dockray, Adelita Husni Bei

      págs. 322-329

      

    • Vulnerabilities and Shifting Meanings of Citizenship

      Özge Ersoy

      págs. 330-335

      

    • Data Asymmetry

      Burak Arikan

      págs. 336-339

      

    • Graph Commons

      Burak Arikan

      págs. 340-341

      

    • Open Source Prototypes

      Oriol Fontdevila

      págs. 342-355

      

    • The Salt Office of Useful Art

      Onur Yildiz

      págs. 356-359