The United States Themselves [Are] Essentially the Greatest poem": fraternity, personalism, and a new world metaphysics in "Democratic Vistas"
págs. 11-34
Whitman's 1855 Leaves of Grass: the incarnational and "Hard Work and Blood"
págs. 35-52
págs. 53-69
The abstract and the historical: structure in Ezra Pound's The Fifth Decad of Cantos
págs. 71-86
Art versus the descent of the iconoclasts: cultural memory in Ezra Pound's Pisan Cantos
págs. 87-111
An anthropologist at work: Ruth Benedict's poetry
págs. 113-125
How to end a life-work: Luis Zukofsky's indexes
págs. 127-138
Naming things: Frank O'Hara and "The Day Lady Died"
Micah Mattix
págs. 139-149
Surrealism meets Kabbalah: the place of Semina in mid-century California poetry and art
Stephen Fredman
págs. 151-173
Gender politics and the making of anthologies: towards a theory of women's poetry
págs. 175-191
Poetry as mother tongue?: Lorna Dee Cervantes' "Emplumada"
págs. 193-208
Wesley MCNAIR
págs. 209-217
págs. 219-229
© 2001-2024 Fundación Dialnet · Todos los derechos reservados