Ha sido reseñado en:
Introduction. The Listener as producer: The rise or the Networked Listener
págs. 1-36
When speech was "Meaningful" and presenters were just a phone call away: The development of popular radio Talk formats in Early Uk commercial radio
págs. 39-55
Domesticated voices: Listener "2Participation" in Everyday Radio Sows
págs. 56-72
Radio Audience interaction: SMS mobile texting vs. Facebook
págs. 72-90
Listeners, social networks and the construction of talk radio information's discourse in the 2.0 age
Belén Monclús, María Gutiérrez, Xavier Ribes, Iliana Ferrer, Josep Maria Martí
págs. 91-115
Sports bbroadcasting in the age of network society: Engagement sith listeners and interaction throughot a collective experience
págs. 116-134
The automatic DJ?: Control, automation and creativity in commercial music radio
págs. 137-153
Redefining co-production in German Radio: Incorporating the listener in German Radio Plays
págs. 154-173
Radio ambulante: Narrative radio journalism in the age of crowdfunding
págs. 176-194
User-generated playlist: Radio music programming in the age of peer-to-peer production, distribution and consumption
págs. 195-211
Community radio and participation: Listeners as productive publics
págs. 212-230
Radio Wnet: From mainstream to grassroots: A case studi of productive listeners
págs. 231-251
Getting listeners involved: Rádio Ás. a community Web project
págs. 252-267
The value of productive publics in radio: A theoretical frame on value creation in participatory culture
págs. 268-276
© 2001-2025 Fundación Dialnet · Todos los derechos reservados