Información General

• Autores: Walter Naumann (coord.), Caterina Ricciardi (coord.)
• Editores: EER, Edward Everett Root Publishers
• Año de publicación: 2019
• País: Reino Unido
• Idioma: inglés
• ISBN: 978-1-912224-72-2
• Texto completo no disponible (Saber más ...)

Resumen

• This book brings to the fore much new work on this key area of Pound’s endeavours and interests, and on the social, political, and philosophical implications of his works. They also deal with his interests in Chinese virtues, Egyptian hieroglyphs and autobiographical myths, where he combined his appreciation of both the Green World and the arts.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • I. THE GREEN WORLD

    • Ezra Pound and Treees

      Walter Naumann

      págs. 3-9

      

    • Sacred Landscape: Lago di Garda in the Work of Ezra Pound and D. H. Lawrence

      William Pratt

      págs. 11-23

      

    • The Grasshopper and the Ant: Pound's Versions of Pastoral

      William Pratt

      págs. 25-34

      

  • II. THE THREE PILLARS

    • What Are Tempkles for: Spontaneity, Simultaneity and Fortuna in Canto 97

      John Gery

      págs. 37-53

      

    • "Sumerian" Hieroglyphs in Cantos 94, 97, and 100

      Gerd Schmidt-Eichstaedt

      págs. 55-58

      

  • III. MYTH, BEAUTY AND A GURU

    • The Green World in the AutobiographicalMyth of The Cantos

      Massimo Bacigalupo

      págs. 61-71

      

    • "The fine thing held in the mind": Painterliness, Enameling & Overlay in Pound's Early Poems and Cantos

      Stephen Romer

      págs. 73-83

      

    • Allen Upward's Influence on Ezra Pound: An Enquiry into the Process of Cultural Transmission or Non-Transmission

      Mick Sheldon

      págs. 85-96

      

  • IV. METAPHOR AND METAMORPHOSIS

    • Pound's Green World: Mimesis, Metaphor, and Magic

      Jo Brantley Berryman

      págs. 99-110

      

    • The Myth of Daphne in Pound's Early Poetry

      Rosella Mamoli Zorzi

      págs. 111-121

      

    • "Damned to you Mias, Midas lacking a Pan!": Ezra Pound's use of Pan

      Peter Liebregts

      págs. 123-136

      

  • V. THEORY AND THE CANTOS

    • Taking Fascist Ontology Seriously: Why "the Green World" Could Not Suffice for the Early Cantos

      Charles Altieri

      págs. 139-151

      

    • Pound's Iconic Acts: Rituals and Natural Language in the Early-Middle cantos

      Giuliana Ferreccio

      págs. 153-164

      

    • The Poetics of Cut and Flow in "The Cantos" of Ezra Pound

      Jonathan Pollock

      págs. 165-173

      

  • VI. EZRA POUND ON TV, IN SCHOOLS AND IN HIS DESCENDANTS

    • "Two larks in contrappunto / at sunset": Pound and Pasolini After the Fall

      Sean Mark

      págs. 177-192

      

    • Teaching Pound in a Red State

      Andy Trevathan

      págs. 193-199

      

    • Patrizia de Rachewiltz's My Taishan: Confessions in the Pound Tradition

      Viorica Patea Birk

      págs. 201-219

      

    • "Independence in a Green World": Mary de Rachewiltz as Student and Teacher

      John Gery

      págs. 221-228