Paintings on copper:: An brief overview of their conception, creation and conservation
págs. 17-26
The Spanish connection: The making and trade of Antwerp paintings on copper in the 17th century
págs. 27-42
Reconstructing a painting on a copper support: Hendrick van Balen's 'Adoration of the Shepherds' from the Fitzwilliam Museum
págs. 43-54
'Silvered' copper plates: A study of material, technique and function of a rare metal support for paintings
págs. 55-70
págs. 71-82
Chemical, physical and mechanical decay processes in oil painted copper objects
Lydia-Chara Pavlopoulou
págs. 83-94
págs. 95-102
A Saint Jerome after Palma il Giiovane: artistic invention and the practice of painting on copper in the age of printmaking
págs. 103-110
Creating An Enduring lmage: An investigation into the materials and techniques of the portrait of cardinal Antoine Perrenot de Granvelle (1576, oil on copper) by Scipione Pulzone
págs. 111-116
págs. 117-122
págs. 123-130
Gerard ter Borch:: copper versus canvas
págs. 131-136
Valoración científico-técnica de la pintura sobre cobre: casos de estudio
Inmaculada Chuliá Blanco, María Francisca Sarrió Martín, Livio Ferrazza, José Antonio Madrid García, Juan Pérez Miralles
págs. 137-144
págs. 145-152
Análisis técnico-científico de una pintura sobre cobre del siglo XVIIl. Madonna con el Niño
Guillermo Martín Quesada, Nuria García-Valenzuela Parera, Luis Rodrigo Rodríguez Simón
págs. 153-158
Cristina Vázquez Albaladejo, Adela Murgui Cervera, Aida Roda Ciudad
págs. 159-164
págs. 165-168
lnvestigations into paint delamination and consolidation of an oíl painting on copper
Maria Leonor Ferraz de Oliveira Silva Santos, Leslie Carlyle, Sara Fragoso, Isabel Pombo Cardoso, Joao Coroado
págs. 169-180
Reassessment of a consolidation treatment: Re-examination and conservation of a persistent paint layer delamination on a 19th century tin-plated iron support painting
págs. 181-186
págs. 187-204
págs. 205-210
Tracing back to antiquity: Materiality and meaning of ancient amulets (metals and others) and sacred coloring materials in antiquity
María Luisa Vázquez de Ágredos-Pascual, M. Julia Martínez García
págs. 211-220
© 2001-2024 Fundación Dialnet · Todos los derechos reservados