‘A woman of supreme goodness, and a singular talent’: Anna Morandi Manzolini, Artist and Anatomist of Enlightenment Bologna
págs. 29-54
págs. 55-72
Between Defence and Affirmation: The Discursive Self-Representation of Eighteenth-Century Women Authors inFrance and ItalyRotraud von Kulessa
págs. 73-92
The Visual and Textual Portraits of Mme de Genlis: The Gouverneur, Educator, and Author of the Mémoires
págs. 93-112
págs. 113-133
Penning the Midwife’s Experience: Professional Skills, Publication, and Female Agency in Early Modern Europe
págs. 137-162
Women’s Strength Made Perfect in Weakness: Paratextual Authority Constructions in Printed Vernacular Religious Literature by Early Modern Dutch Women Writers
págs. 163-184
‘Instructing herself by fad or fancy’: Depictions and Fictions of Connoisseuses and Femmes Savantes in Eighteenth-Century Paris
págs. 185-212
págs. 213-230
Matrona Docta: Elizabeth Carter and Catherine Macaulay in the Guise of the Roman Matrona
págs. 231-256
págs. 259-280
Women Jurists?: Representations of Female Intellectual Authority in Eighteenth-Century Jurisprudence
págs. 281-302
‘Diotime’ and ‘La Muse Belgique’: The Intellectual Mobility and Divergent Legacies of Amalia Gallitzin and Marie-Caroline Murray
págs. 303-322
‘It Wasn’t Enough for Me Just to Be a Singer’: (Self-)Representations of the ‘German Prima Donna’ Gertrud Elisabeth Mara
págs. 323-345
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