págs. 1-19
The rhythrn of the modern city: traffic and mobility in Spanish film,1896-1939
págs. 62-80
Childhood spectacle, modernity and madrid as a dystopic city: Luis Lucia's "Cerca de la ciudad" (1952)
págs. 81-95
págs. 96-111
An archi-texture of pleasure: the "Verbena", the "Modistilla" and the"Mantón de Manila" in Rosa de Madrid (1927)
págs. 114-131
Surface tension and utopian underworlds: Orpheus and the executioner in Luis García Berlanga's "El verdugo" (1963)
págs. 132-154
Mediating everyday life: domestic architecture in Spanish film
págs. 156-188
Through the looking glass: images of thc ordinary world in Oscar-nominated Spanish cinema
págs. 189-206
págs. 208-222
Madrid 1964: icon of modernity or city of memory? A look at the "details"
págs. 223-240
Making Madrid plastic: waste and space in Pedro Almodóvar's post-movida films
págs. 241-258
Uncanny urbanism and generational shifts in Carlos Marques Marcet's "10.000km" and "Anchor and hope"
págs. 260-275
Dead to capitalism: zombified territory and junkie spaces in "Cabanyal Z", or how to unleash monstrous creativity in the urban
págs. 276-295
© 2001-2024 Fundación Dialnet · Todos los derechos reservados