Ha sido reseñado en:
Sandra Ortiz València (res.)
Hispania, ISSN 0018-2133, Vol. 104, Nº 4, 2021, págs. 728-730
Larios, Jordi, and Montserrat Lunati, eds. Catalan Narrative: 1875-2015.
Catalan Review: international journal of Catalan culture, ISSN 0213-5949, Vol. 36, 2022, págs. 184-186
Revista Internacional de Catalanística = Journal of Catalan Studies, ISSN-e 1139-0271, Nº. 24, 1, 2023, págs. 73-76
Zeitschrift für Katalanistik: Revista d'Estudis Catalans, ISSN-e 2199-7276, ISSN 0932-2221, Nº. 36, 2023, págs. 391-395
Since 1714 Catalan culture has had a troubled relationship with the Spanish state, which sometimes tolerated and sometimes repressed it. Nevertheless Catalan writing experienced a renaissance in the 1830s, and by the turn of the century had formed bridges with wider European culture through Modernisme. Under the banner of Noucentisme's call to order, Catalan writing became institutionalised in the early 20th century, only to become a culture of resistance or exile again under the dictatorships of Primo de Rivera and Franco. After 1939, as after 1714, new forms of narrative only gradually emerged from a time of crisis, but led ultimately to a great blossoming of Catalan fiction after Spain's transition into democracy and membership of the European Union.
This invaluable volume applies a range of theoretical perspectives to the work of modern and contemporary Catalan writers, from Narcís Oller (1846-1930) to leading women writers such as Caterina Albert (1869-1966) and Mercè Rodoreda (1908-83) and to some of the postmodern masters -- authors who, though valued by their fellow novelists across Europe, are still too little known outside Catalonia.
págs. 1-13
Autopsies of Everyday Life: From Josep Carner to Marta Rojals (and Joan Todó)
págs. 15-31
Walking through the World Republic of Letters: The Narrative Practice of Maria-Mercè Marçal
págs. 32-48
págs. 49-68
págs. 69-82
Oedipus and the Spanish Crown: The Abject Imaginings of Guillem Viladot
págs. 83-105
págs. 106-123
Caterina Albert’s Solitud: The Shepherd as Subject of Knowing
págs. 124-138
págs. 139-160
The Magic of Money in Narcís Oller’s La febre d’or: Fraudulent Representation and the Blurring of Perception
págs. 161-175
págs. 176-198
Laughing on the Other Side: Humour in the Exile Narrative of Avel·lí Artís-Gener, Tísner
págs. 199-215
Catalan Noucentisme and Narrative: From Discursive Analogy to Moral Anagogy
págs. 216-233
The Colour of the Heavens: Vision and Death in Five Twentieth-Century Catalan Authors
págs. 234-247
págs. 248-260
‘In my end is my beginning...’: Some Thoughts on Translating Raimon Casellas’s Els sots feréstecs
págs. 261-272
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