Información General

• Autores: Filipa Rosário (ed. lit.), Xosé Iván Villarmea Álvarez (ed. lit.)
• Editores: Routledge USA
• Año de publicación: 2019
• Colecciones: Routledge advances in film studies, 62
• País: Estados Unidos
• Idioma: inglés
• ISBN: 978-0-429-46849-0, 9781138604445
• Texto completo no disponible (Saber más ...)

Resumen

• New Approaches to Cinematic Space aims to discuss the process of cre- ation of cinematic spaces through moving images and the subsequent in- terpretation of their purpose and meaning. Throughout 17 chapters, this edited collection will attempt to identify and interpret the formal strate- gies used by different filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces. The contributors to this vol- ume will specifically focus on a series of systems of representation that go beyond the mere visual reproduction of a given location to construct a network of meanings that ultimately shapes our spatial worldview.

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• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction: screen is the place

    Filipa Rosário, Xosé Iván Villarmea Álvarez

    págs. 1-10

    

  • PART 1. Urban Spaces

    • Memoryscapes: mapping urban space through amateur film archives

      Paolo Simoni

      págs. 13-26

      

    • Social space, architecture and the crisis: neo-noiraesthetics in contemporary greek cinema

      Anna Poupou

      págs. 27-42

      

  • PART 2. Architectural Spaces

    • The architectural space generated by staircases in Alfred Hitchcock’s films

      María Novela de Aragón

      págs. 45-55

      

    • Stranger than paradise – Realities of cinema, architectural imageries, circa 1956

      Francisco Ferreira

      págs. 56-66

      

  • PART 3. Genre Spaces

    • Empire of Catalandia: science fiction as the cinematic space of the anthropocene

      Maurizia Natali

      págs. 69-84

      

    • The urban and the domestic: spaces of american film noir

      Sérgio Dias

      págs. 85-96

      

    • Film noir and the folding of America: A reading of "Out of the Past" (1947) and "Impact" (1949)

      Jeffrey Childs

      págs. 97-108

      

  • PART 4. Spectral Spaces

    • Blinking spaces in contemporary psychogeographical documentaries

      Xosé Iván Villarmea Álvarez

      págs. 111-128

      

    • On the ‘ghosts’ of Piramida: ruins, memory and music

      José Duarte

      págs. 129-139

      

    • Remembering a fabricated city: visiting Terezín in Daniel Blaufuks’s "As if..."

      Sandra Camacho

      págs. 140-152

      

  • PART 5. Heterotopic Spaces

    • On location: Kiarostami’s landscapes and cinematic value

      Maria Irene Aparício

      págs. 155-165

      

    • Mapping heterotopias in colombian documentary film

      María Luna Rassa

      págs. 166-178

      

    • Cinematographic missions to the portuguese territory (1917–1918)

      Paulo Cunha

      págs. 179-190

      

  • PART 6. Phenomenology of Space

    • The viewer’s embodiment into cinematic space: notes on a ‘space-image’ cinema

      Antoine Gaudin

      págs. 193-204

      

    • Towards the spatial affectivities of colour: the bluebedroom in Yasujirǀ Ozu’s "An Autumn Afternoon"

      Sander Hölsgens

      págs. 205-215

      

    • Cinema, allospaces and the unfilmable

      Bruno Surace

      págs. 216-227

      

    • Framing doors, opening up spaces: Cristi Puiu and his cruel phenomenology of space

      Zsolt Gyenge

      págs. 228-240