págs. 1-13
The procrustean bed of theory: in conversation with Richard Allen and Malcolm Turvey
págs. 17-35
It all depends: some problems with analytic film theorising from the perspective of ordinary language philosophy
págs. 37-52
Lone star: ambiguity as a philosophical given and a philosophical virtue
págs. 53-66
págs. 67-81
págs. 83-96
págs. 99-113
Wittgensteinian film-as-philosophy exemplified: exploring the exploration of point-of-view in Cuaron's space-exploration film Gravity
págs. 115-128
On films that think by seeing frictionally: toward a Wittgensteinian philosophy of film
págs. 129-144
knowing or not-knowing in the cinema?: Rethinking Cavell's image of skepticism
págs. 147-163
págs. 165-176
The same again, only a little different: Stanly Cavell's Two Takes on The Philadelphia Story
págs. 177-187
págs. 191-204
págs. 205-219
págs. 221-234
Cinematic invisibility: the shower scene in Hitchcock's Psycho
págs. 237-252
págs. 253-269
In Kieślowski Restaurant des Philosophes: determinism and free will under surveillance
págs. 271-285
Loving the characters, caring for the work: long-term engagement with TV serials
págs. 287-301
© 2001-2024 Fundación Dialnet · Todos los derechos reservados