Wittgenstein has written a great number of remarks relevant to aesthetical issues: he has questioned the relation between aesthetics and psychology as well as the status of our norms of judgment; he has drawn philosophers’ attention to such topics as aspect-seeing and aspect-dawning, and has brought insights into the nature of our aesthetic reactions. The examination of this wide range of topics is far from being completed, and the purpose of this book is to contribute to such completion. It gathers both papers discussing some of Wittgenstein’s most provocative and intriguing statements on aesthetics, and papers bringing out their implications for art critic and art history, as well as their significance to epistemology and to the study of human mind.
págs. 15-24
Aesthetics as Methodology in Ludwig Wittgenstein’s ThoughtT: The Operational Character of Family Resemblances
págs. 25-44
His (Freud) Explanation Does What Aesthetics Does: it Puts Two Factors Together
págs. 45-62
págs. 63-80
págs. 81-96
págs. 97-116
págs. 117-128
Notes on Aesthetic Comprehension: Sound beyond Image
págs. 129-140
Musical Analysis versus Grammatical Analysis: Saying, Whistling, Describing, Understanding
págs. 141-160
págs. 161-166
From Art to Ethics: Exemplary Nature of Art Worksand Aspectual Perception
págs. 167-182
págs. 183-194
From Language Games to Analytic Iconography: a Comparison between Ludwig Wittgenstein and Daniel Arasse
págs. 195-212
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