Información General

• Autores: Irene Sywenky, Milan V. Dimic (sel.), Steven Tötösy de Zepetnek (sel.)
• Editores: Honoré Champion
• Año de publicación: 1999
• País: Francia
• Idioma: francés
• ISBN: 9782852036055
• Recoge los contenidos presentados a: Congrès de l'Association Internationale de Littérature comparée (14. 1994).
• Texto completo no disponible (Saber más ...)

Resumen

• Ce volume rassemble la plus grande part des communications présentées au congrès de l'Association Internationale de Littérature comparée, tenu à l'Univeristé d'Alberta à Edmonton, en 1994. Il est ainsi offert un examen pratiquement systématique des questions de Littérature comparée qui définissent le champ présent de la recherche, en huit ensembles: Littérature comparée et théorie littéraire; Histoire littéraire et histoires de la littérature; Genres et caractéristiques textuelles; Roman et autres genres en prose; Théâtre, Littérature et autres arts; Littérature et cinéma; Littérature et technologie. Une bibliographie clôt le volume.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • An Introduction to Comparative Literature Now, à l'heure actuelle

    Steven Tötösy de Zepetnek

    págs. 13-18

    

  • CHAPTER ONE. Comparative Literature and Literary Theory

    • Le Concept de métafiction. Typologie, stratégies fictionnelles, croyances fictionnelles et partages culturels

      Jean Bessière

      págs. 21-30

      

    • Main Features of Goethe's Concept of World Literature

      Hendrik Birus

      págs. 31-41

      

    • Narrativity, Nonlinearity, and Complexity: From History as Fiction to Fiction as History

      Patrick Brady

      págs. 43-50

      

    • Littérature comparée et histoire des mentalités: Concurrence ou collaboration?

      Yves Chevrel

      págs. 51-63

      

    • Unity and Diversity in India and Comparative Literature

      Amiya Dev

      págs. 65-74

      

    • La Notion de littérature européenne

      Jacques Dugast

      págs. 75-83

      

    • Cultural Relativism and Cultural Identity: Contradictory Tendencies

      Douwe Fokkema

      págs. 85-93

      

    • Comparative Literature as a Concept of Interliterariness and Interliterary Process

      Marian GALIK

      págs. 95-104

      

    • In Search of a Common Poetics: A Comparison of Some Chinese and English Poetic Concepts

      Ming Dong Gu

      págs. 105-115

      

    • The Ideology of Metaphor: East and West

      Karl S.Y. Kao

      págs. 117-128

      

    • Is Comparative Literature Ready for the Twenty-First Century?

      Eva Kushner

      págs. 129-139

      

    • Principes méthodologiques pour les bibliographies comparées

      José Manuel Losada Goya

      págs. 141-151

      

    • Formal, Semantic, and Pragmatic Aspects of Metatextuality: Comparatism Revisited

      Uri Margolin

      págs. 153-163

      

    • Comparative Literature Past and Present

      Manuela Mourão

      págs. 165-172

      

    • Le Discours critique littéraire. Un Enjeu nécessaire du comparatisme

      Manuel Ribeiro

      págs. 173-181

      

    • Entre o narrador omnisciente e o monologo interior: Deveremos voltar ao autor?

      José Saramago

      págs. 183-193

      

    • Point de vue narratif et altérité culturelle

      Manfred Schmeling

      págs. 195-207

      

    • Comparative Literature and Cultural Identity: A Bakhtinian Proposal

      Jola Skulj

      págs. 209-217

      

    • Literature and Textual Anthropology

      Antony Tatlow

      págs. 219-227

      

    • The Dialectic of Negative Identity in Literary Reading

      Willie van Peer

      págs. 229-239

      

    • Comparative Literature as Anti-Racist Ethnocriticism

      Thomas Wägenbaur

      págs. 241-249

      

    • Word, Symbol, and Meaning in the Context of Chinese Poetics

      Yue Daiyun

      págs. 251-258

      

  • CHAPTER TWO. Literary History and Histories of Literature

    • Foreign Theories and Cultural Diversity: Writing by Women in Canada

      Karin E. Beeler

      págs. 261-269

      

    • La Fin-de-siècle en Belgique comme Polysystème

      Christian Berg

      págs. 271-281

      

    • Le Romantisme français et la question des chansons populaires

      Michel Brix

      págs. 283-296

      

    • La Réception des nouvelles tendances littéraires dans le contexte plurilinguistique catalan (1900-1930)

      Assumpta Camps Olivé

      págs. 297-306

      

    • Genres traditionnels de l'histoire littéraire à la recherche d'une nouvelle identité. Statut actuel de l'histoire de la littérature et de l'anthologie

      Paul Cornea

      págs. 307-317

      

    • L' "Exil aux portes du paradis": Ecritures et écrivains canadiens du Moyen-Orient

      F. Elizabeth Dahab

      págs. 319-331

      

    • Poètes nationaux et institutionnalisation de la littérature québécoise au XIXe siècle

      Vincent Dubost

      págs. 333-342

      

    • Blake, Hölderlin, and a Speech-Act Paradigm for the Romantic Period

      Angela Esterhammer

      págs. 343-351

      

    • Beyond "Domestic" and "Foreign": Nietzsche and Nabokov as Transnational Authors

      John Burt Foster Jr.

      págs. 353-364

      

    • Belgian Symbolist Poetry: Regionalism and Cosmopolitanism

      Donald Flanell Friedman

      págs. 365-374

      

    • The Black Legend: English and French Representations of Spanish Cruelty in the New World

      Jonathan L. Hart

      págs. 375-387

      

    • Literary History, Cultural Identity, and Tradition

      Joep Leerssen

      págs. 389-397

      

    • Aspects of Postmodern Literature in Brazil

      Luiza Lobo

      págs. 399-406

      

    • Multicultural Translations and the Canadian Literary Institution

      Ruth Martin Apezetxea

      págs. 407-414

      

    • India's Valmiki "Ramayana" and Thailand's "Ramakien"

      K.S. Narayana Rao, Susheela N. Rao

      págs. 415-423

      

    • Comparative Literature, Interculturality, and the History of Australian Literature

      Walter F. Veit

      págs. 425-437

      

    • Comparative Aspects of Contemporary Popular Literature in China

      Wang Ning

      págs. 439-449

      

  • CHAPTER THREE. Genres and Textual Properties

    • Assertion and Canonization: Toward a Semiotics of "Blurb-Discourse"

      Joâo Ferreira Duarte

      págs. 453-461

      

    • Polyphony, Dialogism, and Poetic Interculturalism in T.S. Eliot's "Waste Land" and Rilke's "Duineser Elegien"

      Manfred Engelbert

      págs. 463-473

      

    • Les Langages de la représentation romantique. Le Cas de Nerval

      Lídia Fachin

      págs. 475-482

      

    • La Provocation du poème en prose

      Doris Kolesch

      págs. 483-489

      

    • Lord Chesterfield and Tseng Kuo-fan: Representatives of the Father-Son Epistolary Genre

      Yiu-nam Leung

      págs. 491-496

      

    • Otherness and the Construction of the Self in Autobiography

      Christian Moser

      págs. 497-504

      

    • A Comparative Approach to the Folktale

      María Inés Palleiro

      págs. 505-511

      

    • Constantes et variantes dans la littérature utopique

      Domenico Tanteri

      págs. 513-524

      

  • CHAPTER FOUR. The Novel and Other Prose

    • Identité et influence dans le roman congolais

      Sylvie André

      págs. 527-536

      

    • Laughter, Heteroglossia, and Identity in Yao T' o' s Fiction

      Peng-hsiang Chen

      págs. 537-546

      

    • Localizing the Universal: Literature of the City and of the Street

      Svend Erik Larsen

      págs. 547-555

      

    • Cousins, Colonies, Collections: The Fit of the Novel in Nineteenth-Century France

      Gabriel Louis Moyal

      págs. 557-568

      

    • The Meeting of Two Traditions in the Analysis of the "Künstlerroman"

      Solange Ribeiro de Oliveira

      págs. 569-581

      

    • Chain Letter: From Poem through Opera and Ballet to Novel

      Nora Foster Stovel

      págs. 583-593

      

    • Cultural Diversities in the Recption of the Gothic Novel (1790-1820)

      Hendrik van Gorp

      págs. 595-604

      

    • Scapegoating and the Xenophobic Imagination in "Ulysses" and "The Satanic Verses"

      Steven F. Walker

      págs. 605-613

      

    • Confrontations with Longevity in French and Chinese Literature

      Nathaniel Wallace

      págs. 615-624

      

    • Nature, Landscapes, and the Early English Novel

      Werner Wolf

      págs. 625-636

      

  • CHAPTER FIVE. Drama and Literature and Other Arts

    • Rewriting the Other: The Irish "milieux" in Finnish Translated Drama

      Sirkku Aaltonen

      págs. 639-647

      

    • Littérature et architecture. Le Symbole cathédrale dans la littérature française du XIXe siècle

      Anikó Adám

      págs. 649-655

      

    • Reprise of the Renaissance: Ned Rorem's Song Settings of Early French Poems for Peace

      Judith Barban

      págs. 657-667

      

    • Poésie, musique et critique musicale. Le jeune Schumann

      Alberto Caprioli

      págs. 669-681

      

    • Aspects de l'adaptation par le théâtre néo-hellénique

      Theodore Grammatas

      págs. 683-691

      

    • Bi- and Multi-Lingualism in Canadian Drama

      Katalin Kürtösi

      págs. 693-703

      

    • "What's Open Made to Justice" in Early Modern English Law and Drama

      Mary Polito

      págs. 705-716

      

    • Ornament, Literature, and Art

      Hans Schwarz

      págs. 717-723

      

    • "Virata-Parvan" on the Pune Stage: "Kichaka-Vadha" as Insurgent Melodrama

      R. H. Solomon

      págs. 725-736

      

  • CHAPTER SIX. Literature and Film

    • Metatextuality in Post-Soviet Cinema: Kovalov's "Scorpion's Gardens" as Semantic Drama

      Lilia Avrutin

      págs. 739-751

      

    • Lindsay's "Picnic at Hanging Rock": Origins and Offshoots

      Donald L. Barlett

      págs. 753-762

      

    • Subtitling: Multiculturalism or Commodification of Culture?

      Martine Danan

      págs. 763-773

      

    • A Comparison of David Lynch and Joseph Conrad

      Antonio Eduardo de Oliveira

      págs. 775-780

      

    • Drawing the Map of Incest: Louis Malle's Adaptation of "Damage"

      T. Jefferson Kline

      págs. 781-794

      

    • From Dialectics to Dialogics: Two Case Studies for Filmic Historiography

      H. Thornton

      págs. 795-804

      

  • CHAPTER SEVEN. Literature and Technology

    • A Computer Method for Literary Scholarship

      Harold D. Baker

      págs. 807-814

      

    • Computer Database Use in Literary Studies

      Stan Beeler

      págs. 815-822

      

    • Musical Automata and the Speaking Machine in E.T.A. Hoffmann and Others

      Rüdiger Campe

      págs. 823-834

      

    • The Machine as Allegory and the Literary Text

      Monika SCHMITZ-EMANS

      págs. 835-846

      

    • From Hypertext to Textual Heterarchy: Postmodern Textuality in the Age of the Computer

      Benzi Zhang

      págs. 847-859

      

  • CHAPTER EIGHT. Bibliography of Comparative Literature

    • A Bibliography of Theories, Methods, and Histories of Comparative Literature

      Steven Tötösy de Zepetnek

      págs. 863-921

      

    • Future(s) of Comparative Literature

      Milan V. Dimic

      págs. 927-930