Introduction: [Refracting the canon in contemporary British literature and film]
págs. 7-15
Clock-ridden births: creative bastardy in Sterne's "Tristram Shandy" and Rushdie's "Midnight's children"
págs. 17-52
Double refraction: rewriting the canon in contemporary Scottish literature
págs. 53-68
págs. 69-82
"Dr. Jekyll and Mr. Jackass": "Fight club" as a refraction of Hogg's "Justified sinner" and Stevenson's "Dr. Jekyll and Mr. Hyde"
págs. 83-94
Return to Austen: film heroines of the Nineties
págs. 95-110
págs. 111-128
Parody as revisionary critique: Charles Palliser's "The quincunx"
págs. 129-148
págs. 149-164
Hearts object: Jeanette Winterson and the ethics of absolutist romance
págs. 165-185
Between Othello and Equiano: Caryl Phillips' subversive rewritings
págs. 187-205
Challenging Shakespeare: strategies of writing back in Zadie Smith's "White teeth" and Caryl Phillips' "The nature of blood"
págs. 207-229
págs. 231-245
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