Ilan Stavans: "Our meturgeman par excellence"
págs. 1-6
Life as role play: Ilan Stavans, the life (long) writer
págs. 7-17
"El iluminado": Ilan Stavans and the incongruity of the antihero
págs. 18-26
Life, death, and apotheosis of words: DIC·TION·AR·Y DAYS
págs. 27-31
Cave paintings: Cervantes, Turbans, and Heresy
págs. 32-41
Freedom to pursue the impossible dream: Ilan Stavans and "Don Quixote"
págs. 42-49
págs. 50-73
págs. 74-91
págs. 92-102
“A world defined by immigration”: ambivalence, translationality, and mestizaje in Ilan Stavans
págs. 103-112
págs. 113-120
Returning borrowed words: translation and Ilan Stavans’s contribution to the English language
págs. 121-130
págs. 131-145
Introductions: Ilan Stavans and the “Jewish Latin America” series
págs. 146-155
págs. 156-166
A game of mirrors: the conversations of Ilan Stavans
págs. 167-175
págs. 176-185
Mexican bandit or the last intellectual?: Ilan Stavans’s notorious raid on the Chicano literary canon
págs. 186-196
Poetry and music: interview with Ilan Stavans
págs. 197-204
Crossing borders: Ilan Stavans’s adventures on stage with double edge theatre
págs. 205-209
págs. 210-219
págs. 220-222
Epilogue: seven lies about Ilan Stavans
págs. 223-224
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