This volume explores the development towards mass digitisation and datafication and its transforming influence on our way of organising our cultural knowledge and heritage. In this context, cultural recycling plays a crucial role, even if it is in itself not a new phenomenon. However, the quality and quantity of recycling processes have altered profoundly in the postdigital age. The contributions of this volume consider various manifestations of these recycling processes and practices by providing the reader with a wide range of different case studies. Their authors highlight characteristic features of postdigital recycling that differ from the qualities of recycling processes and practices in previous periods. What the case studies show are the different recyclings of canonical texts, folktales, and cultural productions in new postdigital environments, but also what happens to history and memory in today's times and even how self-declared pre-digital authors cannot escape postdigital strategies for cultural recycling.
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págs. 15-74
págs. 75-96
Whatever Happened to History?: Cultural Recycling and Notions of the Past since Postmodernism
págs. 97-116
Predigital Narratives for a Postdigital World: The Case of AmélieNothomb
págs. 117-134
The New Art of Making Books Revisited: Postdigital Recycling of theLiterary
págs. 135-154
Postdigital Remediation and Recycling off the Page: The CollaborativeWork Besmette Stad
págs. 155-180
From Memes to Literature and Vice-Versa: The Recycling Canon
págs. 181-206
The Precession of Monoliths: Planetary Recycling of a Space AgeMythology
págs. 206-218
págs. 219-234
págs. 235-252
Literary Recycling of Traditional Tales: The Path towards the Postdigital Traditional Tale
págs. 253-268
págs. 269-299
Cervantes and Bécquer in the 21st Century: Literary Recycling of Texts as Educational Tools
pág. 300
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