The Appreciation of Rossini:: Two Phases
págs. 3-12
Final Curtain: Commemorating Gioachino Rossini
págs. 13-44
págs. 45-70
«Dominio del genio» versus «agilità dell’estro»: Giuseppe Rovani di fronte a Gioachino Rossini
págs. 71-86
págs. 87-104
págs. 107-122
Singing Bodies:: The Visual Metamorphosis of Rossini’sArnold from ‘Canto di Grazia’ to ‘Belting’
págs. 123-152
Rossini in the Grand Duchy of Finland: A Review of Public Reception in the 19th Century
págs. 153-166
Rossini and Poland:: Libretto Translations and Presence in Polish Theatres in the Past and Today
págs. 167-182
Rossini on the Musical Stage in Zagreb (1850-1880): Repertoire and Reception
págs. 183-198
págs. 199-214
págs. 215-223
Rossini: un (post)moderno? Dal classicismo al neoclassicismo.: Il potenziale rossiniano nell’estetica musicale neoclassica; il potenziale neoclassico nell’opera buffa rossiniana
págs. 227-264
págs. 265-276
«Oh! It’s a Great Thing to Be Rossini»: Verdi from the Sinfonia in Do to Un giorno di regno
págs. 277-286
págs. 287-302
«Hovering Above Profundity with Smiling Lightness»: Lines of Affinity between the Aesthetics of Ferruccio Busoni and the Comic Theatre of Rossini
págs. 303-331
«Rossini’s Rosina Resists the Test of Time»: A 19th-century Spanish Soprano Generation Focused on Il barbiere di Siviglia
págs. 335-350
La riscoperta del Turco in Italia.: Dal Teatro Eliseo al Teatro alla Scala
págs. 351-358
págs. 359-372
Il viaggio a Reims:: The Cult Opera of the Rossini Renaissance
págs. 373-380
Beyond the Renaissance:: Rossini Today
págs. 381-390
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