Black Bodies/White Spaces: The Horrors of White Supremacy in Get Out (2017)
págs. 11-25
págs. 27-45
“I Can’t (Don’t) Breathe”: White Veterans and Twenty-First-Century Culture Wars
págs. 47-62
págs. 63-83
“Tell Everyone”: Abjection and Social Justice in Candyman (2021)
págs. 87-104
“Say His Name”: Candyman (2021) as a Critique of Black Trauma Porn
págs. 105-127
“It’s Probably the Neighbors”: Identity, Otherness, and the Return of the Oppressed in Jordan Peele’s Us (2019)
págs. 129-145
The Revenge of the Serves: The Wounds of Neoliberalism in Jordan Peele’s Us (2019)
págs. 149-167
Preying on the Other: Culture Wars Narratives in Horror Hunting Films
págs. 169-189
Humans Hunting Humans: Allegories of Cultural and Economic Divides across National Boundaries
págs. 191-208
“Obliteration of the Unfit”: Disposable Other Bodies and Economic Privilege in the The Purge Film
págs. 209-228
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