págs. 1-15
Making and using manuscripts in theatre: The material dynamics of two nineteenth-century Nathan Der Weise prompt books
págs. 17-38
págs. 39-54
Pocket-sized liturgy: A fifteenth-century breviary from the abbey of San Zeno Maggiore
págs. 55-72
págs. 73-116
A bibliophile performing eclipse computations: Lewis Caerleon and his notebook
págs. 117-185
Medieval music rolls, scribes and performance: The extant rolls of thirteenth-century english polyphony
págs. 189-210
Astronomical computation as a performance: Determining planetary positions with the manuscript Erfurt, Angermuseum
págs. 211-240
The ‘orchestration’ of manuscripts: Ottonian gospel books from Bamberg cathedral and their liturgical use
págs. 241-272
Reading the psalms: The relationship between visual organisation and ritualin medieval latin psalter manuscripts
págs. 273-302
págs. 303-334
The palace as ‘theatre of knowledge’: Performing with manuscripts in the alfonsine court
págs. 337-370
Performing (with) multiple-text manuscripts in the making of the ethiopian sainthood: Matter and devotion in Ethiopia between the fourteenth century and the present time
págs. 371-424
págs. 425-452
págs. 453-470
págs. 471-509
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