Información General

• Autores: Yana Meerzon (dir.), S.E. Wilmer (dir.)
• Editores: Palgrave Macmillan Suiza
• Año de publicación: 2023
• País: Suiza
• Idioma: inglés
• ISBN: 978-3-031-20195-0, 978-3-031-20196-7
• Texto completo no disponible (Saber más ...)

Resumen

• The Palgrave Handbook of Theatre and Migration provides a wide survey of theatre and performance practices related to the experience of global movements, both in historical and contemporary contexts. Given the largest number of people ever (over one hundred million) suffering from forced displacement today, much of the book centres around the topic of refuge and exile and the role of theatre in addressing these issues. The book is structured in six sections, the first of which is dedicated to the major theoretical concepts related to the field of theatre and migration including exile, refuge, displacement, asylum seeking, colonialism, human rights, globalization, and nomadism. The subsequent sections are devoted to several dozen case studies across various geographies and time periods that highlight, describe and analyse different theatre practices related to migration. The volume serves as a prestigious reference work to help theatre practitioners, students, scholars, andeducators navigate the complex field of theatre and migration.

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Listado de artículos

• • Theatre and Migration: Defning the Field

    Yana Meerzon, S.E. Wilmer

    págs. 1-27

    

  • Theatre and Migration: Themes and Concepts

    • The Eternal Immigrant and the Aesthetics of Solidarity

      Silvija Jestrović

      págs. 31-42

      

    • ‘A Real State of Exception’: Walter Benjamin and the Paradox of Theatrical Representation

      Freddie Rokem

      págs. 43-54

      

    • Theatre as Refrain: Representations of Departure from the Terezín/Theresienstadt Ghetto

      Lisa Peschel

      págs. 55-65

      

    • Refugees and the Right to Have Rights

      S.E. Wilmer

      págs. 67-78

      

    • Postmigrant Theatre and Its Impact on Contemporary German Theatre

      Azadeh Sharifi

      págs. 79-90

      

    • Interculturalism and Migration in Performance: From Distant Otherness to the Precarity of Proximity

      Brian Singleton

      págs. 91-101

      

    • Cosmopolitanism: The Troublesome Offset of Global Migration

      Yana Meerzon, Julija Pešić

      págs. 103-114

      

    • Indigenous Migrations: Performance, Urbanization, and Survivance in Native North America

      Sara Pillatzki-Warzeha, Margaret Werry

      págs. 115-129

      

    • Migratory Blackness in Leave Taking and Elmina’s Kitchen

      Harvey Young

      págs. 131-141

      

    • Climate Migration and Performance

      Paul Rae

      págs. 143-155

      

    • Theatre’s Digital Migration

      Matthew Causey

      págs. 157-167

      

  • Early Representations of Migration

    • Theatre and Migration in Gilgamesh

      Martin Worthington

      págs. 171-181

      

    • Migration and Ancient Indian Theatre

      H. S. Shivaprakash, J. Sreenivasa Murthy

      págs. 183-194

      

    • Fated Arrivals: Greek Tragedy and Migration

      Rush Rehm

      págs. 195-206

      

    • Migration in Greek and Roman Comedy

      C. W. Marshall

      págs. 207-218

      

    • Migrating Souls and Witnessing Travellers in the Dramaturgy of Nō Theatre

      Miki Iwata

      págs. 219-228

      

    • The Things She Carried: The Vertical Migrations of Lady Rokujō in Japanese Theatre

      Carol Fisher Sorgenfrei

      págs. 229-241

      

    • The Stranger’s Case: Exile in Shakespeare

      Miranda Fay Thomas

      págs. 243-254

      

    • The ‘English Comedy’ in Early Modern Europe: Migration, Emigration, Integration

      M.A. Katritzky

      págs. 255-266

      

    • Migrations and Cultural Navigations on Early Modern Italian Stages

      Erith Jaffe Berg

      págs. 267-278

      

  • Migration and Nationalism

    • Immigration and Family Life on the Early Twentieth-Century Argentine Stage

      May Summer Farnsworth

      págs. 281-290

      

    • Sonless Mothers and Motherless Sons or How Has Polishness Haunted Polish Theatre Artists in Exile?

      Kasia Lech

      págs. 291-301

      

    • All Our Migrants: Place and Displacement on the Israeli Stage

      Sarit Cofman-Simhon

      págs. 303-314

      

    • Shylock Is Me: Aryeh Elias as an Immigrant Jewish-Iraqi Actor in the Israeli Theatre

      Naphtaly Shem-Tov

      págs. 315-325

      

    • Emerging, Staying, or Leaving: ‘Immigrant’ Theatre in Canada

      Art Babayants

      págs. 327-338

      

    • Migrant Artists and Precarious Labour in Contemporary Russian Theatre

      Mark Simon, Varvara Sklez

      págs. 339-351

      

    • Chicano Theatre and (Im)migration: la víctima

      José A. Huerta

      págs. 353-363

      

    • Staging War at the Home Depot: Yoshua Okón’s Octopus and the Shadow Economy of Migrant Labour

      Natalie Alvarez, Jimena Ortúzar

      págs. 365-376

      

    • From Emigrant to Migrant Nation: Reckoning with Irish Historical Duty

      Charlotte McIvor

      págs. 377-387

      

    • Dwelling in Multiple Languages: The Impossible Journeys Home in the Work of Sidi Larbi Cherkaoui and Akram Khan

      Guy Cools

      págs. 389-399

      

  • Migration, Colonialism, and Forced Displacement

    • The Theatre of Displacement and Migration in Southern Africa: Zimbabwe and South Africa in Focus

      Samuel Ravengai

      págs. 403-414

      

    • From the Yoruba Travelling Theatre to the Nobel Prize in Literature: Nigerian Theatre in Motion

      Bisi Adigun

      págs. 415-426

      

    • Migratory Subjectivities and African Diasporic Theatre: Race, Gender, and Nation

      Nicosia Shakes

      págs. 427-438

      

    • Immobile Relegations and Exiles: Creation and Migration in French Theatre Between 1980 and 2020

      Selim Rauer

      págs. 439-449

      

    • Storying Home: Retracing the Trail of Tears to Restore Ekvnvcakv

      Christy Stanlake

      págs. 451-462

      

    • Diasporic Trauma, Nativized Innovation, and Techno-Intercultural Predicament: The Story of Jingju in Taiwan

      Daphne P. Lei

      págs. 463-474

      

    • Our Life Together: War, Migration, and Family Drama in Korean American Theatre

      Ju Yon Kim

      págs. 475-486

      

    • Chronicles of Refugees Foretold

      Hala Khamis Nassar

      págs. 487-497

      

    • Ukrainian Theatre in Migration: Military Anthropology Perspective

      Robert Boroch, Anna Korzeniowska-Bihun

      págs. 499-509

      

  • Refugees

    • Spaces and Memories of Migration in Twenty-First-Century Greek Theatre: Station Athens’s I_Left (E_Φυγα)

      Marilena Zaroulia

      págs. 513-523

      

    • Troubled Waters: The Representation of Refugees in Maltese Theatre

      Marco Galea

      págs. 525-536

      

    • Staging Borders: Immigration Drama in Spain, from the 1990s to the Present

      Andrés Pérez Simón

      págs. 537-547

      

    • Performance and Asylum Seekers in Australia (2000–2020)

      Caroline Wake

      págs. 549-560

      

    • Ramadram: Refugee Struggles, Empowerment, and Institutional Openings in German Theatre

      Anika Marschall

      págs. 561-572

      

    • To Come Between: Refugees at Sea, from Representation to Direct Action

      Emma Cox

      págs. 573-586

      

    • Theatre, Migration and Activism: The Work of Good Chance Theatre

      Alison Jeffers, Ambrose Musiyiwa

      págs. 587-597

      

    • Theatre and Migration in the Balkans: The Death of Asylum in Žiga Divjak’s The Game

      Milija Gluhovic

      págs. 599-610

      

    • Theatre of the Syrian Diaspora

      Edward Ziter

      págs. 611-621

      

    • The Finnish National Theatre, Refugees, and Equality

      Pirkko Koski

      págs. 623-635

      

  • Itinerancy, Traveling, and Transnationalism

    • Transnationality: Intercultural Dialogues, Encounters, and the Theatres of Curiosity

      Pavel Drábek

      págs. 639-650

      

    • German Theatre and August von Kotzebue’s Theatrical Success and Pitfalls in Russia

      Maria Berlova

      págs. 651-662

      

    • The Itinerant Puppet

      John McCormick

      págs. 663-673

      

    • Fin-de-siècle Black Minstrelsy, Itinerancy, and the Anglophone Imperial Circuit

      Kellen Hoxworth

      págs. 675-686

      

    • Actor Migration to and from Britain in the Nineteenth Century

      Jim Davis

      págs. 687-699

      

    • Migration and Marathi Theatre in Colonial India, 1850–1900

      Kedar A. Kulkarni

      págs. 701-712

      

    • The Dybbuk: Wandering Souls of The Vilna Troupe and Habimah Theatre

      Ina Pukelytė

      págs. 713-723

      

    • Indian Circus: A Melting Pot of Migrant Artists, Performativity, and Race

      Aastha Gandhi

      págs. 725-737

      

    • Contemporary (Post-)Migrant Theatre in Belgium and the Migratory Aesthetics of Milo Rau’s Theatre of the Real

      Janine Hauthal

      págs. 739-750

      

    • Belarus Free Theatre: Political Theatre in Exile

      Margarita Kompelmakher

      págs. 751-762