L'obra teatral completa de Miquel de Palol i Felip (1885-1965). Estudi i edició

• Autores: Iolanda Vila
• Directores de la Tesis: Margarida Casacuberta Rocarols (dir. tes.)
• Lectura: En la Universitat de Girona ( España ) en 2016
• Idioma: español
• Tribunal Calificador de la Tesis: Enric Gallén Miret (presid.), Joan Ramon Veny Mesquida (secret.), Lluís Quintana i Trias (voc.)
• Programa de doctorado: Programa de Doctorado en Ciencias Humanas, del Patrimonio y de la Cultura por la Universidad de Girona
• Materias:
  • Ciencias de las artes y las letras
    • Teoría análisis y critica literarias
      • Critica de textos
• Enlaces
  • Tesis en acceso abierto en: TDX
• Resumen

  • The aim of the doctoral thesis presented under the title of "L'obra teatral completa de Miquel de Palol i Felip (1885-1965). Estudi i edició" is to present a study and a critical edition of seven theatrical texts by Miquel de Palol (1885-1965), an author from Girona who, after starting out on an ambitious and promising career as a poet, storyteller, dramatist, journalist and having formed part of the modernist group of Girona at the start of the 20th century, has been relegated, from an historical point of view, to provincialism. Starting from a historical contextualisation of the state of Catalan theatre from the end of the 19th century to the 1930s, the figure of the Girona playwright and his theatrical work, which, with some interruptions, spans a period of more than thirty years, has been located and positioned within that context. Thus it presents, from an historical perspective, the literary study of each of the pieces that make up the dramatic corpus of Palol, a particular universe that often engages, above all in the salon theatre production of the 1920s, with the concerns of the bourgeois audience which filled the halls for their premieres. Other works, of youth and maturity, respond to other, undoubtedly more personal, ambitions without putting aside the writer’s unique style and which means that, almost a century later, one can draw a transversal line which, from a narrative point of view, unites all the pieces. In addition to the study described above, the reception the premieres of the works received in the press has been reviewed and, as a consequence, a more accurate portrait has been able to be drawn of the dramaturgy of the author. In the second part of this work the seven dramatic pieces are published and the criteria that have been applied when collecting the work and establishing the text are explained, taking into account that there are sometimes multiple versions of these -published or unpublished: Les dugues cartes (unpublished, 1899), Cadenes (unpublished, 1912), Senyoreta Enigma (1919), L’enemic amor (1920), Les petites tragèdies (1921), El clavell roig (unpublished, 1925) and Jueus (1935). In conclusion, then, this work places the complete dramatic works of Miquel de Palol within reach of the modern reader with the aim of raising awareness about the lesser-known facet of the writer and of helping the theatrical legacy of Palol find its rightful place in contemporary Catalan literature [-]