Evolució geomètrica i estructural de les naus de la Sagrada Família
- Autores: David Puig Bermejo
- Directores de la Tesis: Ernesto Redondo Domínguez (dir. tes.), Jordi Faulí Oller (codir. tes.)
- Lectura: En la Universitat Politècnica de Catalunya (UPC) ( España ) en 2014
- Idioma: español
- Tribunal Calificador de la Tesis: Lino Manuel Cabezas Gelabert (presid.), Jordi Maristany i Carreras (secret.), Josep Bertrán Ilari (voc.)
- Materias:
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- Resumen
The thesis that is presented turned up from a shaping work with the original models of the second version of the naves, designed by Gaudi for the Temple of the Sagrada Familia, and that were destroyed during the civil war.
The recovered model revealed a pattern of geometrical generation that did not fit into the classical Gaud'is historiography, and the thesis is focused on showing the role that this version plays both in the Temple's work and in the rest of the work done by the architect. To do this we come to analyse from the three angles that mainly set the corps of this thesis: historical context, geometry and structure.
On the first part, the historical context that affected the evolution of Gaudi's work is analysed, and the relationship between his civil work, made apart from Sagrada Familia, and the Temple's work, is studied so as to establish the influence amongst both.
On the second part, the evolution of Gaudi's work is seen from a geometrical point of view and we take into consideration the evolution his work undergoes. This started from an eclectic approach sommon thing by the times of Gaudi's early work- to reach a very personal style, on which geometry becomes the main argument that generates his last architecture.
On the third part, the thesis analyses one of the other main cornerstones on Gaudi's work: structure. To do that, the relationship between the different theorical approaches that became popular during Gaudi's formation time is studied. Those made it possible to modify the structural typology of religious buildings with basilical plan. This section is completed with the numerical analysis of the main versions Gaudí designed for the temple, that has been done with the aid of informatical tools but keeping on the original methods that the architect used, in order to reflect how those influenced the definition of its structural framework.
Finally, and to conclude, the three aspects considered during the thesis -historical context, geometry, and structure- are connected and a new way to read Gaudi's work is determined, establishing a sequence between his early work and his latest solution for the Temples naves - based on the use of formal geometry- that, up to that moment, was superficially or even wrongly interpreted, as if it had came out of nothing.
