Desmuntant la secció alemanya: exposició internacional de barcelona de 1929
- Autores: Olga Felip Ordis
- Directores de la Tesis: Carolina Beatriz García Estévez (dir. tes.), Jaume Rosell Colomina (dir. tes.)
- Lectura: En la Universitat Politècnica de Catalunya (UPC) ( España ) en 2019
- Idioma: español
- Tribunal Calificador de la Tesis: Emilio Tuñón Álvarez (presid.), Antoni Ramón Graells (secret.), Jose Fuses Comalada (voc.)
- Programa de doctorado: Programa de Doctorado en Teoría e Historia de la Arquitectura por la Universidad Politécnica de Catalunya
- Materias:
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- Resumen
Apart from the many interpretative contributions that the recent historiography has contributed to the state of the art in regards to the participation of the German Section at the International Exposition of Barcelona in 1929, this doctoral thesis offers an objective perspective of the events that took place between the first attempts of partition by the German government in October of 1927 and the final liquidation in autumn of 1930 A representation that is developed in three volumes - Space and Time, Architecture and Diconstructing the German Section - in a sequence that reconstructs the totality of the interventions of Ludwig Mies van der Rohe and Lilly Reich, in a new circular and open route in The Mountain of Montjuïc.
Purpose intent is to calibrate the participation and significance of figures such as Georg von Schnitzler, as well as the authorship of Ludwig Mies van der Rohe and Lilly Reich in a temporary suspension of the work of art similar to the words of Marcel Duchamp: in advance, in retard. Towards the definition of a method where the legacy of the history of architecture offered to Mies and Reich an inventory for the definition of a new order within the 8 existing Palaces while the two ends -the 2 pavilions- where the autonomous object should circulate.
