El pas i el canvi: la percepció ambiental durant la circulació a l’Arquitectura
- Autores: Carlos Alonso Montolío
- Directores de la Tesis: Helena Coch Roura (dir. tes.)
- Lectura: En la Universitat Politècnica de Catalunya (UPC) ( España ) en 2015
- Idioma: catalán
- Tribunal Calificador de la Tesis: Alessandro Rogora Bellido (presid.), Isabel Crespo Cabillo (secret.), Michele Morganti (voc.)
- Materias:
- Enlaces
- Tesis en acceso abierto en: TDX
- Resumen
This work is an approach to the dynamic perception of architecture. lt seeks to provide parameters to help finding a way to analyze and graphically represent the architectural features that give a special and spatial quality to space perceived during movement. The approach is made from the "passing-through spaces" in architecture. These kinds of spaces can be considered as paradigmatic movement places and therefore, places where the dynamic perception has an essential reason for being. In the first part, the transient itineraries are analyzed by themselves, abstracting them from the architectural spaces where they occur. They are classified in an abstract way, without built references . So three distinct types of itineraries are described and characterized with their fundamental characteristics. In the second part change is analyzed, mainly from an energy point of view. That is the adaptation of the senses to different stimuli and stimuli variations in time and space. The reactions of the different human senses to environmental changes and their temporal adaptability are essential to understand users' final perception of the architectural environment. This analysis leads to the selection of the most important stimuli during people's movement, which will be those that provide the maximum amount of information needed to carry out the abstract itineraries described above. In the third part, the most important stimuli to provide information about the space are selected. They are vision, for providing directional information, and sound, for providing spatial information. The vision is selected for analyzing it's potential in a case study. The Sert's house in Cambridge, Massachusetts, is chosen for different reasons . On one hand, because JL Sert shows an interest in movement and itineraries in architecture, as it can be seen in several of his projects' drawings , where the user's movement is frequently plotted. On the other hand, because it is a residential house. So the itinerary is not one of the fundamental concepts on which the project is based, as it happens on some other works of Sert as the Maeght Foundation and the Miró Foundation, both of them itinerary buildings with the exhibition as its function. This work concludes by specifying some of the visual patterns that are considered important in building design while taking into account the dynamic perception and also with sorne design recommendations. lt is proposed to advance, in the future, with the representation of these parameters and others not dealt with in here, with advanced graphic means that can help the designer to take them into consideration from the outset of the project.
