Modern drama

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  Año 2009, Vol. 52, Número 1

  • The Nietzschean undertow in "Little Eyolf"

    John Reid

    págs. 1-18

    

  • "richardthesecond", adapting Shakespeare to the local in a culture of global celebrity

    Robert Ormsby

    págs. 19-37

    

  • Harold Pinter's "Mountain language" as testamental text

    Stephen Watt

    págs. 38-56

    

  • "The emperor Jones" and national trauma

    Susan Smith

    págs. 57-72

    

  • Property and inheritance in August Wilson's "The piano lesson"

    Sandy Alexandre

    págs. 73-98

    

  • Middlebrowing the avant-garde: "Equus" on the West End

    Ryan Claycomb

    págs. 99-123