Old and New Spaces: Imagining Exclusion and Inclusion in Austin Clarke’s “Four Stations in His Circle” and Shani Mootoo’s “Out on Main Street”
págs. 1-22
Embodying the City: Tessa McWatt’s This Body and Out of My Skin
págs. 23-40
From “Sisters” to “Comadres”: Translating and Transculturating Tomson Highway’s The Rez Sisters1
págs. 41-64
“Through a glass, darkly”: The Metaphor of the Lens in Public Discussions about the Canadian Museum for Human Rights
págs. 65-89
págs. 91-116
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