From directions to descriptions: Reading the theatrical "Nebentext" in Ben Jonson's "Workes" as an authorial outlet
págs. 7-26
Shakespeare in La Mancha: Performing Shakespeare at the Almagro Corral
págs. 27-46
págs. 47-79
Rupert Goold's "Macbeth" (2010): Surveillance society and society of control
págs. 81-103
Shakespeare our contemporary in 2016: Margaret Atwood's rewriting of "The Tempest" in "Hag-Seed"
págs. 105-128
Introducing Shakespeare to the fringes of Europe: The first Romanian performance of "The Merchant of Venice"
págs. 129-148
Perceptions of sister queens: A comparison of printed book dedications to Mary and Elizabeth Tudor
págs. 149-166
"For know, alas, I'm dumb, alas I love": Rhetoric of disability, female agency and tragedy in "The Dumb Virgin"
págs. 167-192
Book culture in the Irish mission: The case of father Juan de Santo Domingo (1636-1644)
págs. 195-211
Nelly or Ellen?: Revamping the first English actresses in contemporary popular culture
págs. 213-228
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