The Resonant Body and the Newer ‘New Jazz Studies’: a Bibliographic Essay
págs. 11-27
págs. 29-47
(De)Constructing Jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: the Joni Letters
págs. 49-64
Stretching out:: Miles Davis’ “My Funny Valentine” as a model for a dynamic jazz composition process
págs. 65-81
págs. 83-103
págs. 105-118
págs. 119-132
2 Trumpets (Prestige, 1956): un análisis comparativo
págs. 133-155
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