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  Año 2018, Vol. 40, Número 2. Dedicado a: iGen Cinema. Moving Image Consumption and Production by Post-Millennials

  • Index

    • iGeneration and Cinema. Genres, Spectatorship, and Mediascape

      Mariagrazia Fanchi, Alexandra Schneider, Wanda Strauven

      • Texto completo

      págs. 117-123

      

    • Nothing to Decode. iGen, Snapchat and Online Communication in the Oral Images Era

      Raffaele Pavoni

      • Resumen

      págs. 124-136

      

    • Smart(phone) Cinema. iGeneration, Second Screen and Filmic Experience. An Empirical Case in Southern Italy

      Alfonso Amendola, Mario Tirino

      • Resumen

      págs. 137-151

      

    • Streaming and Binge-Watching. The Experience from Technology to iGen

      Massimiliano Pistonesi

      • Resumen

      págs. 152-165

      

    • Un po’ spettacolo, un po’ forma d’arte, un po’ conoscenza. Impressioni di alcuni giovani di provincia sul cinema e l’audiovisivo

      Alessandra Porcu

      • Resumen

      págs. 166-179

      

    • Post-Millennial Spectatorship and Horror Films: The Case of It (2017)

      Stefania Antonioni, Manolo Farci

      • Resumen

      págs. 180-192

      

    • Catching Katniss. Generation K and the Evolution of the Teen Movie Genre

      Stefano Guerini Rocco

      • Resumen

      págs. 193-206

      

    • When We Were Young. Netflix and the Teen Audience

      Edoardo Becattini

      • Resumen

      págs. 207-217

      

    • Taming Monstrous Play: STEAM Learning, Maker Culture, and Monster-Making Media for Children

      Meredith A. Bak

      • Resumen

      págs. 218-231

      

  • Miscellanea

    • “I feel you”. Using the Mother’s Gaze to See beyond Otherness

      Carla Maria Bino

      • Resumen

      págs. 235-245

      

    • In caso di emergenza. Strategie di comunicazione per la riduzione del rischio a 40 anni dal terremoto del Friuli

      Manuela Farinosi, Giovanni Ferrin, Leopoldina Fortunati, Doriano Minisini, Mauro Sarrica, Stefano Zanut

      • Resumen

      págs. 246-265

      

    • “L’immaginazione al potere”: Flaiano, McLuhan, il messaggio

      Andrea Lombardinilo

      • Resumen

      págs. 266-277

      

    • Collective Action and Affective Publics: The “Cinema America Occupato” Storytelling on Facebook

      Romana Andò, Alberto Marinelli

      • Resumen

      págs. 278-297