Medieval English theatre

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  Año 2016, Número 38

  • The Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion

    Elia Williamson

    págs. 3-21

    

  • The Bright Star of The North: James I and his English Coronation

    Alice Hunt

    págs. 22-37

    

  • ‘Ye know eek that in forme of speche is change’: Chaucer, Henryson, and the Welsh Troelus a Chresyd

    Sue Niebrzydowski

    págs. 38-56

    

  • Playing the Crucifixion in Medieval Wales

    David Klausner

    págs. 57-67

    

  • ‘My Boy shall Knowe Himself from Other Men’: Active Spectating, Annunciation, and the St John’s College Narcissus

    Elisabeth Dutton

    págs. 68-83

    

  • ‘I Speke so Miche to 3ow’: Authority, Didacticism, and Audience Address in Middle English sermons and morality plays

    Charlotte Steenbrugge

    págs. 84-99

    

  • Early English Spectatorship and the ‘Cognitive Turn’

    Nadia Thérèse van Pelt

    págs. 100-114

    

  • The Theatre of the Mind in Late-Medieval England

    Mishtooni Bose

    págs. 115-128

    

  • Poetics and Beyond: Noisy Bodies and Aural Variations in medieval English outdoor performance

    Pamela King

    págs. 129-144

    

  • Women and the Performance of Libel in Early-Modern Devon

    Clare Egan

    págs. 145-162

    

  • Abraham Sacrificing

    David Wills

    págs. 163-176