Saroyan’s “The black tartars”: Frame narrative, nationalism and ethnic cleansing
págs. 3-17
Prayaag Akbar’s "Leila" and Margaret Atwood’s "The Handmaid’s Tale": A study on dystopian intersections
págs. 19-34
Identity crisis at the party: Joyce’s “the dead” and Woolf’s “the new dress”
págs. 35-47
From syntax to phraseology: A phraseological approach to schematic caused-motion constructions in English
págs. 49-76
págs. 77-93
Siri Hustvedt’s "The Summer Without Men" and "The Blazing World": An insight into the twenty-first-century artist heroine
págs. 95-111
McCarthyism and American Cold War Ideology in Irish-American Autobiographical Writing: The Tangled Rendition of the Ethnic Identity in Frank McCourt’s "‘Tis, A Memoir"
págs. 113-132
Where are the horses?: The Equine Trope in Anne Mccaffrey’s "Black Horses For The King"
págs. 133-152
págs. 153-179
págs. 181-196
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