In an audiovisual context that outlines a clear crisis of the principles of the Bazin scene, a variety of new, reliable narrative phenomena emerge from the works of many authors of European and American cinema. From the birth and execution of the script to fragmentation as the cohesive tool of the story and the formal thematic detours of social cinema, it is possible to plot a new cartography of extreme film experiences that are inextricably associated with the new forms of distribution and access to audio-visual content.
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