El sueño de la visión produce cronoendoscopias: Nuevas fronteras temporales de la imagen digital
- Autores: Fernando de Felipe, Iván Gómez García
- Localización: Breaking the media value chain: VII International Conference on Communication and Reality / coord. por Klaus Zilles, Joan Cuenca Fontbona, Josep A. Rom Rodríguez, 2013, ISBN 9788493695996, págs. 91-100
- Idioma: español
- Enlaces
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Resumen
In recent years we have come to shamelessly see inside the human body. We do this through the use of digital technologies of vision, crossing borders and boundaries formerly impassable in recent past. We have become accustomed to a steady expansion of the visible spectrum. The interior of the human body has become, in the field of film and television fiction, in a set of visible spaces, walkable and infinitely malleable. From fictions like House M.D. or C.S.I., or from visual fantasies directed by Darren Aronofsky, Tarsem Singh or Mamoru Oshii, among others, that image forced us to rethink our notions of space visible. These snapshots introduced into our body’s always awkward time variable, thereby allowing us to be able to explore both the smallest of our cells, as front row seats to all these processes, hysterically accelerated or slowed maddeningly that take place inside and now presented as new spaces. This new notion of time, perfectly matched with the newest scientific theories has been permanently installed in the universe of fiction in film and television products to highly complex narrative and aesthetic level, however, have won on many occasions backed by critics. The purpose of this communication is to explain how these images have forced us to rethink not only our concept of space, as we said, but our notion of time, to be reconstructed images from novel aesthetic codes marked by the strong presence of the digital image, the temporal dimension of the human body in its interaction with the environment.
