The text analyzes the use of musicians in movement, a resource that has been common in popular music, focusing on the spatialization of sound and the use of mobile sound sources.
The relationship between dance and musical performance is also taken into account, as well as the relationship between walking and the generation of sound. There are analysis of the Ituren joaleak, txistularis, trikitilaris, albokaris, sharpeners, txarangas, tambourines, processions. Next, the text makes a comparison with cultured music, in which the location and parformativity of the musicians has tended towards the static. In its most recent branch, contemporary music, there are not many works where musicians get moving and travel the space, except in some isolated cases. The works of Charles Ives, Karlheinz Stockhausen, Pauline Oliveros, Llore Barber, Fredrik Rasten, and other serve the investigation to see the developments in the concepts of spatialization and sound sources in movement.
Testuak herri musikan ohikoa izan den musikarien mugimendua aztertzen du, soinuaren espazializazioa eta soinu iturri mugikorren erabileran zentratuz. Dantza eta musikarien arteko harremana ere kontutan hartzen da, ibiltzea eta soinua sortzearekin batera . Iturengo joaleak, txistulariak, trikitilariak, albokariak, txorroskileroak, txarangak, danborradak, prozesioak aipatzen dira. Ondoren, musika kultuarekiko konparaketa egiten du testuak, non musikarien kokapen eta parte hartzeak estatikotasunera jo izan duen. Haren adar berrienean ere, musika garaikidean, ez da soinu-sortzaileak mugimenduan jartzen dituen lan asko topatzen, kasu bakan batzuetan izan ezik. Charles Ives, K. Stockhausen, P. Oliveros, Llorenc Barber, Fredrik Rasten, eta beste zenbait egileren lanak ikertzen dira espazializazio eta mugimendu kontzeptuetan nolako garapenak izan diren ikusteko.
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