Peindre l'empêchement: Samuel Beckett

• Valentina Bianchi ^[1]
  1. [1] Spiru Haret University (Bucharest)
• Localización: Border crossings: rethinking "trans-" in literature, language, and media: Faculty of Letters, Spiru Haret University & Macalester College Minnesota. International Conference May 17-18, 2017. Bucharest / coord. por Denisa Drǎgușin, David Martyn, Ruxandra Vasilescu, 2017, ISBN 978-88-97908-34-0, págs. 13-19
• Idioma: francés
• Texto completo no disponible (Saber más ...)
• Resumen

  • Conceived as a real-life experience, Beckettian dramaturgy places the modern spectator beyond a reassuring theatre of illusion, situating the audience in front of the Danger advocated by Antonin Artaud. Beckett transgresses the limits of representation, by presenting, onstage, the exact conditions and conditioning that prevent the representation. The playwright’s voice, imprinted with a ferocious black humour, thus brings glimmers of optimisms by means of a theatre that takes itself on the conscience’s constant failures in realising a hold over itself and announces, beyond the pessimism seldom attributed to the playwright, their possible transgression.