"Angry I was, and Reason strook away": Margaret Cavendish and her lyrical acts of rebellion
págs. 19-47
Broken emblems: Anne Killigrew's pictorial poetry
págs. 49-66
"Hell in epitomy": Jane Barker's visions and recreations
págs. 67-96
Representing women in Restoration England: a reassessment of Aphra Behn's "The Rover"
págs. 99-122
Witty women masking gender and identity: the comedies of Mary Pix in context
págs. 123-156
Of Spain, Moors, and women: the tragedies of Aphra Behn and Mary Pix
págs. 157-173
"Shakespear with enervate voice": Mary Pix's "Queen Catharine" and the interruption of history
págs. 175-209
"A world of my own": Margaret Cavendish's auto/biographical texts
págs. 213-232
Reconciling "the most Contrary and Distant Thoughts": paradox and irony in the novels of Aphra Behn
págs. 233-259
Devising a new heroine: Catherine Trotter's "Olinda's adventures" and the rise of the novel reconsidered
págs. 261-278
"I look'd through false glasses": letters versus fiction in Delarivier Manley's "Letters"
págs. 279-299
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