Ha sido reseñado en:
Inside Out: Women Negotiating, Subverting, Appropriating Public and Private Space, edited by Teresa Gómez Reus and Aránzazu Usandizaga (Amsterdam, New York: Ropodi, 2008).
Miscelánea: A journal of english and american studies, ISSN 1137-6368, Nº 40, 2009, págs. 117-121
Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos, ISSN 0210-6124, Vol. 33, Nº 1, 2011, págs. 149-155
The incursions of women into areas from which they had been traditionally excluded, together with the literary representations of their attempts to negotiate, subvert and appropriate these forbidden spaces, is the underlying theme that unites this collection of essays. Here scholars from Australia, Greece, Great Britain, Spain, Switzerland and the United States reconsider the well-entrenched assumptions associated with the public/private distinction, working with the notions of public and private spheres while testing their currency and exploring their blurred edges. The essays cover and uncover a rich variety of spaces, from the slums and court-rooms of London to the American wilderness, from the Victorian drawing-room and sick-room to out of the ordinary places like Turkish baths and the trenches of the First World War. Where previous studies have tended to focus on a single aspect of women's engagement with space, this edited book reveals a plethora of subtle and tenacious strategies found in a variety of discourses that include fiction, poetry, diaries, letters, essays and journalism. Inside Out goes beyond the early work on artistic explorations of gendered space to explore the breadth of the field and its theoretical implications.
Falling over the banister: Harriet Martineau and the uneasy escape from the private
págs. 35-46
págs. 47-63
Ladies on the tramp: the philanthropic "flâneuse" and appropriations of Victorian London's impoverished domesticity
págs. 65-83
"The abuse of visibility": domestic publicity in late Victorian fiction
págs. 87-106
Public space and spectacle: female bodies and consumerism in Edith Wharton's "The house of mirth"
págs. 107-123
Tracing the female triptych of space: private, public, and power strongholds in Gertrude Atherton's "Patience Sparhawk and Her Times" (1897), and F. Tennyson Jesse's "A Pin to See the Peepshow" (1934)
págs. 126-145
Paving the way for Mrs Dalloway: the street-walking women of Eliza Lynn Linton, Ella Hepworth Dixon and George Paston
págs. 149-166
Dwelling, poaching, dreaming: housebreaking and homemaking in Dorothy Richardson's "Pilgrimage"
págs. 167-188
Colonial "flâneurs": the London life-writing of Janet Frame and Doris Lessing
págs. 189-202
In a literary no man's land: a spatial reading of Edith Wharton's "Fighting France"
págs. 205-228
Women and war zones: May Sinclair's personal negotiation with the First World War
págs. 229-248
Expanding the private and public spaces of war: Vera Brittain's "Testament of Youth"
págs. 249-270
Friends of our captivity: Nature, terror and refugia in romantic women's literature
págs. 273-296
Public land and private fears: reclaiming outdoor spaces in Gretchen Legler's "Sportswoman's Notebook"
págs. 297-316
Adrienne Rich's city poetry: locating a "flâneuse"
págs. 319-334
Writing inside and outside: Eavan Boland's poetry of the domestic space
págs. 335-350
págs. 351-357
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