Congreso organizado en Santander y desarrollado en formato online del 24 al 26 de noviembre de 2021. Contiene una selección de comunicaciones aceptadas para su presentación en el 44° Congreso de la Asociación Española de Estudios Anglo-Norteamericanos que debería haberse celebrado en Santander en noviembre de 2020. El Congreso fue cancelado por la COVID-19. Esta selección incluye trabajos presentados a los llamamientos para contribuciones realizados en 2020 y 2021.
"An Inventory of Echoes”: Worlding the Western in Trump Era Fiction
págs. 13-19
Transnational Stars and the Idea of Europe: Marion Cotillard, Diane Kruger
págs. 20-29
Scribal Practices in the Prologue of Prick of Conscience: A Look into MS D.5
págs. 31-40
págs. 41-47
"Long", "lust" and "thirst": the development of impersonal verbs of Desire in Early Modern English from the perspective of Construction Grammar
págs. 48-55
págs. 56-64
Unergative Cognate Structures across English and Romance
Celia Fullana, Georgina Alvarez Morera, Isabel Oltra-Massuet
págs. 65-77
The Evolution of Agent Prepositions: A Cross-Register Approach
págs. 78-84
“Rules to be Observed”: A Look into Thomas Sheridan’s and John Walker’s Attitudes in the Late Eighteenth Century
págs. 85-91
How Do L2 Learners Perceive their Own Speech?: Investigating Perceptions of Speaking Task Performance
Mireia Ortega, Joan Carles Mora, Cristina Aliaga García, Ingrid Mora Plaza
págs. 92-99
Collocation as a Measure of Semantic (Dis)similarity: Revisiting the Concept PLEASANT SMELLING
págs. 100-108
On the Development of Mirative Readings: A Contrastive Study on English and Spanish
págs. 109-117
Lexical Specificity and Allostructional Variation: Subject Pronoun Omission in World Englishes
págs. 118-124
Root Identity–Relation Identity in Inga Simpson’s Understory: A Life with Trees
págs. 126-131
Wilderness, Garden or Exercise of Power? Images of Nature and Human-Natural Relationships in the USA
págs. 132-136
págs. 137-142
(N)evermore: The Musical Afterlives of Edgar Allan Poe’s The Raven
págs. 143-147
Under the Sign of Trauma: An Analysis of William Faulkner’s 1929-1936 Novels
págs. 148-153
The Short Story (1948) Revisited: Sean O’Faolain’s Blueprint for Irish Writing
págs. 154-158
págs. 159-164
págs. 165-169
págs. 170-175
Aiming for the Stars, Getting the Earth: Outer Space, Borders, and the Astronaut as an Agent for Cosmopolitan Aspirations in James Gray’s Ad Astra
págs. 176-181
págs. 182-188
Towards the Archetype of a Working-class Woman in the 1960s: Nell Dunn’s The Muse (2020) and her Early Writings
págs. 189-194
New Sustainable Bodies in Transit: Transnational Affects in Some (South-East Asian) Canadian Women Writers
págs. 195-200
Sexual Violence in the Dark Room: Reading Whisper Networks as Collective Narratives
págs. 201-206
‘It is often more fun to want something than to have it:’: Dystopian (Un)happiness in David Foster Wallace’s Infinite Jest
págs. 207-211
‘Beauty is as we see it’: Female Perception of Aesthetic Experience in Mary W. Shelley’s The Mourner(1829)
págs. 212-217
Exemplary Elite: The Revolution of 1688 and the Rhetoric of Dramatic Dedications
págs. 218-223
Allegorising Surveillance Capitalism: Westworld’s Science-Fictional and Metafictional Pastiche
págs. 224-230
págs. 231-236
Women’s Fluid Spaces and Gendered Spatial Orientations in Victorian Literature and Culture
Rosario Arias Doblas, Laura Monrós Gaspar, Miriam Borham Puyal, Lin Pettersson
págs. 238-241
COVID-19 and Popular Culture: Emerging Sounds from the American West
Amaia Ibarraran Bigalondo, Ángel Chaparro Sáinz, Amaia Soroa Bacaicoa
págs. 242-245
Postcards from the Interregnum: North-American Cinemas and the Representation of the Great Recession
Fabián Orán LLarena, Eva Darias Beautell, Isabel González Díaz
págs. 246-248
Cultures of Risk, Cultures of Power
David Walton, Luis Alberto Lázaro Lafuente, Luz Mar González Arias, Laura Martínez-García
págs. 249-252
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