Noble Magnificence: Culture of the Performing Arts in Rome 1644-1740
Información General
- Autores: Anne Madeleine Goulet (coord.), Michela Berti (coord.)
- Editores: Brepols Publishers NV
- Año de publicación: 2024
- País: Bélgica
- Idioma: inglés
- ISBN: 978-2-503-61313-0
- Texto completo no disponible (Saber más ...)
Otros catálogos
Listado de artículos
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Overture
págs. 33-38
págs. 39-47
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I. The Economy of Magnificence
págs. 49-68
págs. 69-76
The Costs of Magnificence, the Magnificence of Costs:: Nobility, Economics, and Status in Seventeenth- and Eighteenth-Century Rome
págs. 77-86
Celebrating a Wedding in the Lante della Rovere Family: An Exercise in Magnificence (1682-83)
págs. 87-110
págs. 111-135
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Intermezzo I. Into the Family Archives
págs. 137-144
The Computista and the Archivista: Two Key Figures in the Management of Roman Family Archives in the Seventeenth and Eighteenth Centuries
págs. 145-158
págs. 159-169
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II. Social Values and Moral Principles
Education to Magnificence: Aristocratic Schooling and College Academies in Seventeenth- and Eighteenth-Century Rome
págs. 173-184
Patronage and Pastoral Simplicity in Arcadia: Patronus nullus esto – the Case of Francesco Maria Ruspoli (1707-21)
págs. 185-196
Sumptuousness versus Sobriety: Magnificence in the Musical Productions at Cardinal Pietro Ottoboni’s Teatro della Cancelleria (1710-12)
págs. 197-215
Ars moriendi in Seventeenth-Century Rome: Staging Lorenzo Onofrio Colonna’s Death
págs. 217-226
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Intermezzo II. Some Thoughts on Method
Magnificenza as a Paradigm in the Development of a Thesaurus: From Scientific Research to a Difficult Definition, and Back Again
págs. 229-237
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III. Conquering and Asserting Magnificence
Lorenzo Onofrio Colonna ‘L’Africano’: Military and Artistic ‘Campaigns’ in Rome and Spain
págs. 241-250
‘Donna regale in auree scene t’apre il mondo in teatro’: Maria Camilla Pallavicini Rospigliosi and Opera in Rome at the End of the Seventeenth Century
págs. 251-260
The Conquest of Magnificence: The Performing Arts and the Social Ascent of the Vaini Family
págs. 261-280
Boxes at the Teatro Capranica in 1732: Occupants, Financial Dealings, and Social Visibility
págs. 281-299
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Intermezzo III. Brokers of Magnificence in the Noble Household
Maestri di casa: Masters of Roman Magnificence in the Old Regime
págs. 303-317
The Christmas Cantata in Rome: Papal Munificence and Self-promotion by the Majordomo (1676-1740)
págs. 319-354
The Art of Appropriation: Girolamo Colonna and the Festivities Held at Rome for the Coronation of Ferdinand IV as King of the Romans (1653)
págs. 355-364
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IV. Magnificence on Stage
‘Si è fatto di nuovo ma impiegandovi molte cose del vecchio’: The Artifice of Magnificence in the Choreographic Episodes at the Seminario Romano
págs. 367-379
Monumentality and Magnificence: Dance and Dramaturgy in Seventeenth-Century Roman Visual and Musical Sources
págs. 381-395
Beyond Magnificence: The Caduta and its Imagery in the Performing Arts In Seventeenth-Century Rome
José María Domínguez Rodríguez, Chiara Pelliccia, Gloria Giordano
págs. 397-421
Magnificence in Miniature: The Puppet Theatre of Cardinal Pietro Ottoboni in the Palazzo della Cancelleria (1694-c. 1712)
págs. 423-431
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Intermezzo IV. The City as a Stage. The Roman Scene in the Early Eighteenth Century
Nobility, Spectacle, and Competition: Reflections on Francesco Valesio’s Diario (1700-42)
págs. 434-442
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V. The Glories of Fame: Reputation, Circulation, Market
págs. 445-456
From the Reputation of the Artist to the Magnificence of the Prince: The Borghese Family and its Musicians in the Eighteenth Century
págs. 457-469
págs. 471-502
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