págs. 1-2
Queering Gender: The New Femme Fatale in Almodóvar’s La mala educación (2004)
págs. 1-7
La Minotaura, the Female Minotaur: Aida Toledo’s Version of the Classical Myth
págs. 1-7
págs. 1-7
Rewriting Classical Myths: Women's Voices in “Los motivos de Circe” and “Penélope” by Lourdes Ortiz
págs. 1-8
Gender Symbolic Messages in Music and Magazines Consumed by Young Mexicans
Martha Patricia Zarza Delgado, Héctor Serrano Barquín, Carolina Serrano Barquín
págs. 1-8
págs. 1-9
Another History for Another Psychiatry: The Patient’s View
págs. 1-11
Fictions of Sex, Fear and Loathing in the Caribbean: Revisiting the Haitian/Dominican Borderland
págs. 1-12
Arturo de Córdova and the crisis of the bourgeois marriage: On the role of the married women in “Las tres perfectas casadas” and the Married Couples’ Dinner in “Cena de matrimonios” (1952 and 1962)
págs. 1-12
The Politics of Pretence: Woman and Nation in Laura Restrepo’s Delirio
págs. 1-13
págs. 1-14
© 2001-2024 Fundación Dialnet · Todos los derechos reservados