Revista Canaria de Estudios Ingleses
Año 2022, Número 84. Texto Completo Ejemplar. Dedicado a: Fiction of the Roaring Twenties: 100 Years Later / La narrativa de los locos años veinte: 100 años después
págs. 9-15
Articles
págs. 19-29
The Remaking of the Radical in the Harlem Renaissance: Claude McKay’s Home to Harlem
págs. 31-43
A Camper Shade of Roar: Ronald Firbank’s Concerning the Eccentricities of Cardinal Pirelli and Ivy Compton-Burnett’s Pastors and Master
págs. 45-56
‘The Times Have Changed’: American Self-Discovery in Pearl S. Buck’s East Wind West Wind
págs. 57-68
The Roar of Modernity: Metropolitan Soundscapes and the Making of the Modern Subject in Dos Passos’ Manhattan Transfer
págs. 69-82
A Girl’s Life in English Interwar Suburbia: Evadne Price’s Just Jane
págs. 83-96
Fashionable Flappers: Constructing Femininity in F.S. Fitzgerald’s The Offshore Pirate and The Ice Palace
págs. 97-116
págs. 117-133
Boundaries and Desire: Censorship and the Articulation of Romantic Encounters in the Works of Radclyffe Hall
págs. 135-148
No Flappers in Wonderland?: Illustrating Alice’s Adventures in Wonderland in the 1920s
págs. 149-166
Miscellany
págs. 169-181
Social and Environmental Awareness In the Lyrics Of Mike Shinoda: ‘Kenji’ And ‘Nothing Makes Sense Anymore’
págs. 183-197
Notes
“Here’s to The Fools Who Dream”: Hollywood’s Illusion of The American Dream In La La Land
págs. 201-209
- Página 1 de 1
