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Futhark: revista de investigación y cultura, ISSN 1886-9300, Nº. 16, 2021, págs. 233-238
mAGAzin, ISSN-e 1136-677X, Nº. 30, 2022, págs. 65-67
For a long time now, women have struggled for the vindication of their rights and for their visibility. This struggle may seem a story of success, maybe not complete or equal for all women, but at least one which slowly but surely carries with it the promise of equality for all women. However, a closer look reveals that in various fields of culture the representation of women frequently undergoes a manipulation which makes the image of women lose the intention initially attempted.
This is often the case with adaptations of literary texts to the screen, when the initial literary message is changed because of, for example, marketing demands or some ideological stance. Rarely do we find the opposite case where the indifferent or emasculated original female characters are turned into guardians and/or apologists of feminine power. The present volume focuses precisely on the way in which the image of women is modified in films and TV series, when compared with the original literary texts.
"I want my money back”: Some Considerations on the Dialectics of Texts and Films
págs. 9-28
Heidi goes kawaii: The Evolution of Fräulein Rottenmeier in the Animated Versions of Johanna Spyri s Novels
págs. 29-46
An English girl in the states: The Impact of Context and Genre on the Film Adaptation of Roald Dahl's "Matilda"
págs. 47-72
págs. 73-93
From “wife of my bosom” to “female thing”: E. A. Poe’s Ligeia and Roger Corman’s The Tomb of Ligeia
págs. 95-108
págs. 109-128
págs. 129-158
págs. 159-174
págs. 175-189
Mgm’s three comrades: Frank Borzage, F. Scott Fitzgerald and Hollywood’s Courageous Weimar Women
págs. 191-214
“Wie oft?” or love in troubled times?: The Cinematographic Adaptation of A Woman in Berlin
págs. 215-236
Verfilmung von erinnerungsliteratur: Zur Darstellung der Figur Hanna Schmitz aus Bernhard Schlinks Der Vorleser
págs. 237-259
págs. 261-284
Katharina blum: Opfer oder täter?: Die weibliche Hauptfigur in Heinrich Böll und in Volker Schlöndorff und Margarethe von Trotta
págs. 285-302
págs. 303-314
págs. 315-335
págs. 337-356
From Civil Rights Chronicler to Chanel Nº 5: Mainstreaming Nina Simone
págs. 357-374
págs. 375-403
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