Información General

• Autores: Adriana Serban (coord.), Anna Matamala (coord.), Jean-Marc Lavaur (coord.)
• Editores: Peter Lang
• Año de publicación: 2012
• País: Alemania
• Idioma: inglés
• ISBN: 9783034311519
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • Şerban, Adriana; Matamala, Anna; Lavaur, Jean-Marc (eds.) Audiovisual Translation in Close-up: Practical and Theoretical Approaches Bern: Peter Lang AG, 2011.

    Anna Jankowska

    Quaderns: Revista de traducció, ISSN 1138-5790, Nº 19, 2012, págs. 425-429

Resumen

• How are audiovisual translations made and received? This is just one of the questions this book offers answers to. Bringing together research on various forms of audiovisual translation, the range of issues treated is wide: How are discourse features translated in dubbed and subtitled programmes? Does subtitling enhance foreign language learning? Can the quality of audiovisual translation be assessed in a relevant way? What should we know about the audience? How should we audio describe? Audiovisual Translation in Close-up addresses these issues from a variety of perspectives: from discourse analysis and pragmatics to cognitive science, second language acquisition, actor-network theory and speech recognition, amongst others.

  Most contributions to this volume originate from the international bilingual conference «Audiovisual Translation: Multidisciplinary Approaches/La traduction audiovisuelle : Approches pluridisciplinaires» held in Montpellier, France, in 2008.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction- Audiovisual translation: The challenge of walking the way

    Adriana Serban, Anna Matamala, Jean-Marc Lavaur

    págs. 11-19

    

  • Audiovisual translation and discourse analysis

    • Formulae across languages: English greetings, leave-takings and good wishes in dubbed Italian

      Veronica Bonsignori, Silvia Bruti, Silvia Masi

      págs. 23-44

      

    • The non-translation of swearing in subtitling: Loss of social implicature?

      Annjo K. Greenall

      págs. 45-60

      

    • Semiotic cohesion in subtitling: The case of explicitation

      Adriana Tortoriello

      págs. 61-74

      

    • Translating Tsotsi for the screen

      Zoë Pettit

      págs. 75-91

      

  • Audiovisual translation and language learning

    • The acquisition of L2 syntax through audiovisual translation

      Elisa Ghia

      págs. 95-112

      

    • Cognitive insights into the role of subtitling in L2 learning

      Annamaria Caimi

      págs. 113-129

      

    • Approaching expertise in subtitling: A pilot experiment

      Adriana Silvina Pagano, Fábio Alves, Vera Lúcia Santiago Araújo

      págs. 133-160

      

    • Measures for quality of closed captioning

      Pierre Dumouchel, Gilles Boulianne, Julie Brousseau

      págs. 161-172

      

    • Quality problems in AVT production networks: Reconstructing an actor-network in the subtitling industry

      Kristiina Abdallah

      págs. 173-186

      

  • Reception

    • Accidental reading?: Some observation on the reception of subtitled films

      Tiina Tuominen

      págs. 189-204

      

    • Audiovisual processing while watching subtitled films: A cognitive approach

      Dominique Bairstow

      págs. 205-219

      

  • Audiovisual description in close-up

    • The audio description of emotions and gestures in Spanish-spoken films

      Paula Igareda González

      págs. 223-238

      

    • The audio description of spoken, tactile and written language in Be with Me

      Pilar Orero Clavero

      págs. 239-255

      

    • From the desriber's mouth: Reflections on creating unconventional audio description for live theatre

      John Patrick Udo, Deborah I. Fels

      págs. 257-278

      

    • Overcoming barriers: The pioneering years of audio description in Poland

      Agnieszka Chmiel, Iwona Mazur

      págs. 279-296