The Comic Tragedy of Mere Men and Women: The Ambiguously Distracting Use of Laughter in "The Castle of Otranto" and Its Prefaces
págs. 11-26
"Shaving the Tale": Barbers and the Narration of Racial Relations in Melville’s "Benito Cereno" and Chesnutt’s "The Doll"
págs. 27-44
Tropes of Temperance, Specters of Naturalism: Amelia E. Johnson’s "Clarence and Corinne"
págs. 45-62
"I Am Just As Much Dead as He Is": Community, Finitude and Sibling Intimacy in Katherine Mansfield
págs. 63-82
Ghostly Visitations in Contemporary Short Fiction by Women: Fay Weldon, Janice Galloway and Ali Smith
págs. 83-102
Encountering the Posthuman Animal: Revisiting Dian Fossey’s "Gorillas in the Mist"
págs. 103-121
Searching for a “Different Kind of Freedom”: Postcoloniality and Postfeminist Subjecthood in Zadie Smith’s "NW"
págs. 123-139
(Re)Imagining and (Re)Visiting Homelands in "Looking for Transwonderland": "Travels in Nigeria" by Noo Saro-Wiwa
págs. 141-160
Breaking Joy Division’s “Glass”: Reading Song Lyrics as Literature
págs. 161-180
Anglicisms in Music Fandom Terminology: The Idiosyncratic Use of Self-Referential Nouns in the Language of Youth
págs. 181-199
págs. 203-213
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