"The way you wave your hat": performativity and self-invention in Jackie Kay's "Trumpet" and Duncan Tucker's "Transamerica"
Secret longings: painting, storytelling, and filmmaking in "Girl with a pearl earring"
"Something tremendous has happened": miradas y deseo en "A Room with a view"
The corrupting force of power: A contemporary re-view of Laurence Olivier's "Richard III" (1955)
Adjectives in -ly and their homomorphic adverbs: measuring the productivity of adjectival -ly
The courtesy markers "Pray" and "Please" in the late eighteenth century: evidence from the "Corpus of Late Eighteenth-century Prose"
Some observations on the semantics of the eighteenth-century progressive: aspectual and non-purely aspectual functions
Fancy a haiku?: brief outline for a comparative study between Japanese haiku and English romantic poetry
Mr. Deasy y el Caballero del Verde Gabán: un estudio comparativo entre "Ulysses" y "Don Quijote"
Victorian angels of the house vs. fallen angels, the American new woman vs. the decadent: young females coming of age through transatlantic self-development in W.M.Thackeray's "Vanity Fair" and Margaret Mitchell's "Gone with the wind"
From image to word, and back to image again: textualising and filming Vermeer's paintings in "Girl with a pearl earring"
El suicidio literario: aproximaciones comparativistas : [mesa redonda]
Yolanda Morató, Juana Bando Domínguez, Ana Maldonado Acevedo
Las revistas para adolescentes en el Reino Unido y la perpetuación de los roles de género tradicionales: un acercamiento desde los consultorios on-line
Bridging cultures and languages: towards the creation of a hybrid identity in Walter Scott's "Waverley"
Great Britain: from "Thatcherism" to "Blairism"
Elena Oliete Aldea, José Francisco Fernández Sánchez, Celia Margaret Wallhead Salway
The United States and Spain: two cultures easily mixed in E. E. Cummings' works
"Martians U.S.A.": el planeta rojo visto por la imaginación de Edgar Rice Burroughs
Gender, race and class: ethnic masculinities in contemporary American literature written by women (I) : [mesa redonda]
Angels Carabí, Josep M. Armengol, Cristina Alsina Rísquez, María Isabel Seguro Gómez
In the name of the father: reflexive sadomasochism and the Symbolic Order in Chuck Palahniuk's "Choke" ; or, "What would Jesus not do"?
Ventriloquizing female authorship: the case of eighteenth-century women's magazines and periodicals
Gender, race and class: ethnic masculinities in contemporary American literature written by women (II) : [mesa redonda]
Bárbara Ozieblo Rajkowska, Rodrigo Andrés, Marta Bosch, Bill Phillips
"Time passes, yes. And we grow old": old age in Virginia Woolf's "The Waves"
Online reading comprehension in English for Spanish university students: student and teacher strategies
Cursos de lectura online: actitud del estudiante universitario frente a las innovaciones tecnológicas
ADELEX ANALYSER (ADA): propuesta de una nueva aplicación computacional para el diagnóstico de la dificultad léxica de la destreza lectora en la enseñanza del inglés
Un enfoque microetnográfico para la enseñanza de la conversación: el desarrollo de la competencia pragmática a través de la multimodalidad en un entorno virtual (WebCT)
"Literature keeps its secrets": silence and alterity in J.M. Coetzee's "Foe"
On women's bonds and diaspora rearrangements: aspects of Makeda Silvera's "The heart does not bend"
Healing the colonial wounds: autobiographical migration in the work of Lee Maracle
The Irish short story in the twenty-first century: recent contributions and new critical perspectives : [mesa redonda]
José Manuel Estévez-Saá, María Losada Friend, José María Tejedor Cabrera, Margarita Estévez Saá
Working with texts in a bilingual school: Book work-Comentario de texto
"How do you say preparar?": L1 use in EFL oral production and task-related differences
Teaching pragmatics in a Spanish EFL context: requestive behaviour beyond avoiding imperatives or just adding "please"
The use of circumlocution strategies in foreign language interaction: a collaborative creation of meaning process
"We shalbe fitte for greater matters": rhetorical connections between the Boys of St. Paul's and John Lyly's drama
The swaying pig and the toothless lady: the role of the Grotesque in Virginia Woolf's "To the lighthouse"
From the country to the city: the peasant's loss of identity in John Berger's trilogy
¿Novela epistolar o "Bildungsroman"?: "The Mixquiahuala letters" y el mestizaje formal
Caroline Kirkland's guide to west living: "A new home, who'll follow? or, Glimpses of western life"
"The negro artist and the racial mountain": Langston Hughes responde a George Schuyler
"We want peace": political identity through person deixis in a Northern Irish political campaign
Hyperbole and speech acts: Is the term "overstatement" a misnomer?
© 2001-2024 Fundación Dialnet · Todos los derechos reservados