Decolonial love as critical pedagogy: learning response-ability from Indigenous authors
págs. 7-8
págs. 9-10
págs. 11-12
Adapting "Othello" in the 21st century: some notes from the operating theatre
pág. 13
El Quijote Transnacional -- (Round table)
Alfredo Moro Martín, Pedro Javier Pardo García, María Losada Friend
págs. 14-21
págs. 21-22
Re-imagining the aging self through dramaturgies of memory loss and love: a comparative study of Tristan Bernays' "Old Fools" and Nick Payne's "Elegy"
págs. 22-24
Re-visioning masculinity: comparing Philip K. Dick's Short Stories and the Television Series "Philip K. Dick's Electric Dreams"
págs. 24-25
Current monsters: an exploration of motherhood in Lisa Evans' "Frankenstein"
págs. 25-27
Only wit or none at all: the use of farce in Edward Ravenscroft's "The Citizen Turned Gentleman" (1672)
págs. 27-28
págs. 30-31
Landscaping "Ophelia": the environmental crisis in visual
págs. 31-32
"Frankissstein"; or, the Postmodern Prometheus: the role of the Mythic Methodin Jeanette Winterson's "Frankissstein: A Love Story"
págs. 33-34
Cyborg plasticities: on techno-cerebrality
págs. 35-37
págs. 37-39
Is it poetic justice or perpetuating the stigma?: "Trash" in Delia Owens's "Where the Crawdads Sing"
págs. 39-41
Defective identity construal: A Fanonian reading of William Faulkner's Joe Christmas
págs. 41-42
Critical perspectives in English Studies today: from the classroom to the world -- (Round Table)
Remedios Perni Llorente, Sara Prieto García-Cañedo, Macarena García-Avello Fernández-Cueto
págs. 42-45
Crises and criticism – (Round Table)
Rubén Jarazo Álvarez, Aida Rosende Pérez, Eugenio Guillermo Iglesias Díaz, Maria Grau Perejoan, Katarzyna Paszkiewicz
págs. 46-52
Beyond the "lure of Italy": reading the meanings of Rome in three statues by nineteenth century U.S. women sculptors
págs. 52-53
págs. 53-55
Exploring transcultural identities in the making: personal narratives, NGOs and refugees in the UK
págs. 55-57
"Canadian monsters": a teratological itinerary through Atwood's works from the 1970s
págs. 57-59
The monster inside us: analysing questions of otherness and race in Marjorie Liu's Graphic Novel Monstress
págs. 59-61
"Chug, crush, toss": depicting psychiatric surveillance and performing sanity in Rachel Lindsay's "Rx"
págs. 61-62
The "Jokerfication" of society: hope (not Batman) will save us – (Round Table)
Juan A. Tarancón de Francisco, Fabián Orán LLarena, Coral Anaid Díaz Cano
págs. 63-69
Challenging representations of girlhood: identities in the making in contemporary cultural narratives – (Round Table)
María Platas Alonso, Iria Seijas Pérez, Sara Tabuyo Santaclara
págs. 70-76
The posthuman turn in the fashion industry: on human animals & cyborgs through Alexander McQueen's fashion shows
págs. 76-77
"Me Contradigo / Yo me Transformo": the multiplicity of selves and the transgression of the Motomami idiolect
págs. 77-79
"What a blessing to be Earth loving Earth": the Anthropocene reviewed and John Green's search for personal meaning in an unstable world
págs. 79-80
Challenging the agenda of a self-proclaimed feminist, radical historian: the representation of Catherine of Aragon in Philippa Gregory's fiction
págs. 80-81
Stigmatization processes, resistance and waste – (Round table)
Mar Gallego Durán, Rocío Carrasco Carrasco, Macarena Martín Fernández, Rocío Cobo Piñero
págs. 83-87
Losing ‘It’: the lost baby and the lurking chimera in Tracy Fahey's "I Spit Myself Out"
págs. 87-89
"The story of women is the story of the world": ecofeminist COVID auto/biography in "Air Mail"
págs. 89-90
págs. 91-92
págs. 93-94
"Your sisters are behind you": an exploration of queer communities' as both vulnerable and hospitable spaces in Tom Macrae's "Everybody's Talking about Jamie" (2017)
págs. 94-95
Creativity as monstrosity: Anaïs Nin on June Miller and the persona of the woman writer
págs. 95-97
Bernardine Evaristo's "Girl, Woman, Other": a tableau of contemporary British black women's Feminism
págs. 97-99
The uncaged bird's song: Olive Schreiner, Mary Elizabeth Barber, and the reassertion of women's voices through Ornithological Science
págs. 99-100
págs. 100-101
Mourning revolution: memorialising the suffragette in Tracy Chevalier's "Falling Angels"
págs. 101-103
págs. 103-104
págs. 104-106
págs. 106-108
W03ld W[ai]de C0c00n: SPAM-ing Net(I)Ana(S)
págs. 108-109
Beyond victimhood: vulnerability as resistance in songs my brothers taught me
págs. 110-111
págs. 111-113
Cinema and the real world: film space revisited
págs. 113-114
From barren wastelands to roads of hope: the case of Chloé Zhao's "Nomadland" (2020) -- (Workshop)
págs. 114-116
Cursed 80s' nostalgia: choose or die and the haunted videogame
págs. 116-118
From yellow walls to yellow butterflies: "Encanto" in the context of the narrative tradition of the haunted house
págs. 118-120
"Promising her return, she mumbled her adoration": attitudinal discourse presentation structures in the British sentimental novel
págs. 121-123
págs. 123-125
‘I can, may, or must be being conquered’: a corpus-based Study of the progressive passive in the Old Bailey Corpus
págs. 125-126
Etymological analysis of Norse loanwords in "The Canterbury Tales" and "Havelok the Dane": applying the Gersum typology
págs. 126-128
The secrets of Alexis of Piedmont and A Niewe Herball or Historie of Plants in Glasgow University Library MS Ferguson 7: a codicological and palaeographic analysis
págs. 128-130
On the interconnection between language and society: exploring the role of extralinguistic factors in semantic change
págs. 130-132
‘A very pleasant, safe, and effectual medicine’: the serial comma in Late Modern and Present-day British English
págs. 132-133
"These adventitious accents": accentuation and prosody in William Kenrick's "A new dictionary of the English Language" (1773)
págs. 133-135
págs. 135-137
"I remain, my dear Lady Wake, your sincere & obliged friend Mary Dickenson": personal names as forms of address and self-reference in Mary Hamilton's "Correspondence" (c.1740-1830)
págs. 138-139
págs. 139-141
"But, plot twist, he's not single!": on the rise of parenthetical plot twist in recent English
págs. 142-143
Constructionalising non-canonical expressions in recent diachrony: a corpus-based study of fragments in English
págs. 144-146
págs. 146-148
Dunna Say Thatten, for Lord's Sake!: a third-wave sociolinguistic approach to non-standard negation in Late Modern Derbyshire dialect
págs. 148-150
‘I don’t know was he too happy with the mixer’: embedded questions in Irish English across time
págs. 150-151
págs. 152-153
The negative form of "Used to" in English: an approach from Corpus Linguistics
págs. 154-155
págs. 155-156
Profiling lexical production in EMI classes: what is the role of L2 proficiency?
págs. 157-158
págs. 158-160
The EPOSTL revisited: a portfolio for language teacher training in our times
págs. 160-162
págs. 162-164
Audio-visual material and Second Language Acquisition courses: an analysis for English Philology / English Studies
María Luz Celaya Villanueva, Alicia Martínez Flor, Marian Amengual Pizarro
págs. 164-166
págs. 166-167
págs. 168-169
Students' perceptions after performing intralingual dubbing activities: potential benefits on language learning, skills development, and motivation in Spanish EFL learners
págs. 169-171
‘Provocalips’: linguistic blends in product names within the beauty industry
págs. 172-173
Petting o Sexting?: el anglicismo de la esfera sexual en foros de Internet
págs. 173-175
Fostering cross-border plain legal English vocabulary: helping experts communicate with the “not-so-experts”
págs. 175-177
págs. 177-179
Shakespeare's religious afterlives: text, reception and performance — (Roundtable)
Luis Javier Conejero Magro, Marta Cerezo Moreno, Isabel Guerrero Llorente, Antonio Ballesteros González
págs. 180-184
Stereotypes in speech: clichés of continental nations in "The Beau's Duel" by Centlivre
págs. 184-186
The beholder and the eavesdropper: Drayton's literary career from "Endymion and Phoebe" (1595) to "The Man in the Moon" (1619)
págs. 186-187
págs. 188-189
págs. 189-191
Lodge's "Scillaes Metamorphosis" (1589): analysis and interpretation of the volume
págs. 191-193
The literary fortunes of Lettres portugaises in England: ventriloquizing the Feminine
págs. 193-195
págs. 195-196
Shakespeare's "Julius Caesar" (dir. José Tamayo, 1955 and 1964) at the Roman Theatre of Mérida: site-specificity and intermediality as methodological tools to examine Shakespeare in ‘Teatroscope’
págs. 197-198
An emblem of post-Armada rhetoric: Pedro de Valdés in England's nationalistic imagination
págs. 199-200
Confining the fanatics: "Melancholy" and political satire in "Mr. Turbulent"
págs. 200-202
New light on the dating of Durfey's "Love for Money" (1691): from the Siege of Monsto playing "on Thursday"
págs. 202-203
págs. 204-205
págs. 205-207
Existentially pessimistic weird fiction: the influence of Emil Cioran's philosophyon Thomas Ligotti's work
págs. 207-208
Overcoming trauma through metafiction: Ian McEwan's "Sweet Tooth" and the revenge narrative
págs. 208-210
‘There is something accursed in wealth’: postcolonial ecocriticism in Joseph Conrad's "Nostromo"
págs. 210-212
"Homes for us, los hispanos": the symbol of the House in in Junot Díaz's "Otravida, Otravez"
págs. 212-214
Representing vulnerable and (eco)precarious lives: between social cohesion and exclusion in a globalized world – (Round Table)
Cristina María Gámez Fernández, Susana Nicolás Román, María Porras Sánchez, Carolina Sánchez-Palencia Carazo
págs. 214-222
Beyond borders: redefining generic boundaries and threshold identities in Bernardine Evaristo's "Girl, Woman, Other"
págs. 222-224
AI embodiments: narrative forms of transhuman vulnerability in the 4th IR.Kazuo Ishiguro's "Klara and the Sun" (2021)
págs. 224-225
págs. 225-227
págs. 227-229
págs. 229-230
Feeling climate change: exploring Tanya Tagaq's "Split Tooth" as affective Inuit life writing
págs. 230-232
Revisiting ‘The Memory Palace’: disclosing the potentialities of traumascapes in "Vanishing Monuments" (2021)
págs. 232-233
págs. 234-235
Women (re)-writing nineteenth-century entertainment: past and present – (RoundTable)
págs. 235-238
págs. 239-240
"There's no woods left": the mutability of queer hope through William di Canzio's "Alec" (2021) and E.M. Forster's "Maurice" (1971)
págs. 240-242
Fear the millenial God: fundamentalism in the post-apocalyptic patriarchal utopia
págs. 242-243
Riots, foster homes and a royal wedding: the unequal allocation of vulnerabilityin kit de Waal's "My Name Is Leon"
págs. 243-245
When Doris Day lost her home and agreed to be a prisoner: Capitalocene and posthuman dictatorship in Margaret Atwood'’s "The Heart Goes Last"
págs. 245-246
When the voice of the refugee is heard: sharing experiences of detention in "Refugee Tales IV"
págs. 246-248
"I want to feast with her on the wishes/ of the unseen pilgrims": Catholic tradition and its influence in contemporary Sapphic Irish poets
págs. 248-250
"The Wild Irish Girl": overturning gender stereotypes
págs. 250-252
Pearse Hutchinson's life and work in Spain: notes from his archive at Maynooth and some insights into his unpublished conversations
págs. 252-253
págs. 254-255
Integrating content and language at the University of Extremadura (ICLUEx): fostering academic literacy in EMI
págs. 255-257
Web 2.0 tools and digital natives as students: on the use of blogs in Higher Education
págs. 257-258
págs. 259-260
págs. 260-262
Does speaking Andalusian Spanish affect the pronunciation of English as an L2?: the case of aspirated voiceless stops
págs. 263-264
págs. 264-266
págs. 266-268
págs. 268-269
págs. 269-271
The identification of English codas: a longitudinal exploration in CLIL
págs. 271-273
págs. 273-274
págs. 275-276
Task complexity effects on L2 segmental accuracy in pronunciation-unfocused tasks
Ingrid Mora Plaza, Joan Carles Mora Bonilla, Mireia Ortega Duran, Cristina Aliaga García
págs. 276-278
págs. 279-280
"The bad blood": affect and posthuman monsters in Two Short Stories by Hiromi Goto
págs. 280-282
Settlers or Stewards: towards trans-ethnic cosmopolitanism in Black and Indigenous Vancouverite speculative fiction
págs. 282-283
"I wanted to have a spirit": decolonising human-robot relations in Drew Hayden Taylor's Stories
págs. 283-285
A tale of futures past: ghosts of partition in Shilpa Agarwal's "Haunting Bombay"
págs. 285-286
The intersectionality of caste and gender: Dalit feminism evolving in resistance
págs. 286-287
págs. 287-289
Resilience patterns in Canadian Literature – (Round table)
Ana María Fraile Marcos, Lucía López Serrano, Sara Casco Solís
págs. 289-294
‘Try not translating, what happens?’: linguistic opacity in Vivian Pham's "The Coconut Children"
págs. 294-295
Merlinda Bobis's "The Kindness of Birds" (2021): planetary love across continents, cultures and species
págs. 295-297
Under the same flag: Filipinas writing the nation in the 1920s
págs. 297-298
págs. 299-300
págs. 300-302
págs. 302-303
págs. 303-305
"Britain's broken up with me": the symbol of the break-up in transformative practices of dissent by transnational artists in the UK
págs. 305-307
págs. 307-308
págs. 309-310
A legacy to his people: "Chronicles from the Land of the Happiest People on Earth" by Wole Soyinka
págs. 310-311
"Lovely tropical things": museums as institutional tools in Wicomb's Short Story “In the Botanic Gardens”
págs. 311-313
"Has Europe forgiven us for Brexit?": a corpus-based analysis of tweets about the Eurovision Song Contest
págs. 314-315
págs. 315-317
Methodological issues in building diachronic corpora: the corpus of news on economic inequality (1971-2020)
págs. 317-318
págs. 318-320
Mirative extensions in discourse-pragmatic markers: a crosslinguistic study of "finally" and "in the end" in the EuroParl Parallel Corpus
págs. 320-322
Who has been murdered?: a corpus-stylistic analysis of the victim of murder in the TV series "The Killing"
págs. 322-324
Exploring stance constructions in the Coronavirus Corpus: an ecolinguistic approach
págs. 324-325
"Neuronal ideology": a critical discourse analysis of contemporary neurobiology research paper
págs. 326-327
The changing masks of death: troping the traumatic real in A.S. Byatt's "Little Black Book of Stories"
págs. 328-329
Language and the transcultural self: an exploration of the twenty-first-century Chicano Short Story
págs. 329-330
Ecological thresholds and posthuman anxieties: Daisy Johnson's "Fen" (2014)
págs. 330-332
Prefiguring phytoacoustics: Roald Dahl's "The Sound Machine" (1949)
págs. 332-334
Decision-making in the face of fuzzy boundaries: a preliminary discussion
págs. 335-336
"As I love the name of "honour"": orthography in the L1 varieties of English
págs. 336-338
Null subjects on the web: an exploratory study using "GloWbE"
págs. 338-340
Second person pronouns in geographical varieties of English: a corpus-based study
págs. 340-341
págs. 341-343
Are we concerned about eating healthily in Spain?: the increasing proliferation of Anglicisms in the field of food and drink
págs. 343-345
The expression of (im)politeness in the language of teenagers: the courtesy marker please, taboo vocatives and swear words as three cases in point
págs. 345-347
págs. 347-349
Enregisterment and the nineteenth-century representation of South-Western speech: two examples (paper)
págs. 349-351
págs. 352-354
Neg-rasing and question tags in English: an experimental pilot study
págs. 354-355
Data and theory hand in hand: determinants of post-auxiliary ellipsis in Modern English
págs. 356-357
págs. 358-359
Wh&Wh questions in English: a corpus-based perspective
págs. 360-361
págs. 363-364
One "espeto de sardinas" coming up!: on the translation of culinary terms in Costa del Sol restaurant menus into English
págs. 364-366
Richard Fanshawe's "To Love Only for Love Sake": exploring theatre translation methods in pre-Restoration England
págs. 366-367
Retos y censura en la traducción de "Romeo y Julieta": Macpherson vs. Conejero
págs. 368-369
págs. 369-371
págs. 372-373
Meaning vs. Technique: houses in Bernard Malamud's "The Last Mohican"
págs. 373-374
págs. 374-376
Charting the streets of Washington, D.C.: urban inhospitality in Edward P. Jones's "Lost in the City"
págs. 376-377
From Washington to Trump: revolutionary literature, contemporary politics, and the myth of the un-American monster
págs. 377-379
págs. 379-381
págs. 381-382
págs. 382-384
Un imaginario transnacional: el Oeste norteamericano en la literatura española – (Round table)
David Río Raigadas, Ángel Chaparro Sáinz, Amaia Ibarraran Bigalondo
págs. 384-388
págs. 389-390
págs. 390-392
Intersecting mental health and climate change in contemporary US Fiction: The case of "Bewilderment" (2021)
págs. 392-393
Washington Irving and the Quixotic satire on erudition: "Salmagundi" (1807-1808) and the British Cervantean tradition
págs. 393-395
‘It’s a presence, a perfume, a touch. It’s a soul, a story, a life’: domestic ventures into the Fourth Dimension in Henry James's "The Jolly Corner" (1908)
págs. 395-396
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